A lot of people have been stressing over holiday preparations. I decided a few years ago that I would no longer fall into that trap. This is the first year I’ve managed to do it without much residual guilt, so this year is sort of a strange witnessing experience for me, where instead of being caught up in my own holiday madness, I have the opportunity to be aware how everyone else runs around doing what they think must be done or . . . or what? The holiday will fall on our heads like a big rock? Santa will fall out of the sky? Rudolph’s red nose will explode? The days will keep getting shorter instead of lengthening again, until they disappear? The Solstice is past now, so we can rest assured that didn’t happen. Whew!
In truth, each person tends to accomplish the things that are most important to that person. I know that sometimes in the past I wasn’t even conscious of what was really important to me. I was more conscious of what I thought was expected of me, or what everyone else seemed to consider important. I wanted everything for the people I loved, forgetting that what everyone really wants is . . . love. I felt guilty about what I didn’t do, or sometimes even resentful about what someone else didn’t do to help. But the important things got done just the same. Why can’t we be content with that and spend the rest of the time enjoying each other’s presence, or our memories of those who can’t be with us? (more…)
I love birds, in fact we both do, but after the death of our last little parakeet friend, Kiwi, we decided we didn’t want to keep birds in cages anymore, so the bird cages we’d collected over the years, actually quite a few of them it turns out, now hang on our patio in a kind of empty-cage symbolism—or pile of junk, whichever your preferred interpretation.
We enjoy bird friends at greater distance these days. When I came across the linked story today, I decided I had to share. It’s a love story, just in time for that love-related holiday around the corner—if you’re reading this post while it’s fresh. But why wait until a particular time of year to celebrate love?
Here for your enjoyment, straight from Australia, is a tale of love among cockatoos. Note the first time I read it I assumed the first page was all there was to it, and only saw the “next page” link on my second time through, so be aware, there’s more.
While watching The Ice Storm again for the fourth or fifth time recently, I was struck by how strangely prophetic the movie is when it opens with Tobey Maguire reading a Fantastic Four comic book on a train. Five years later, he starred in Spider-Man. I can’t help wondering if whoever cast him had been watching The Ice Storm and made that comic book superhero connection. It made me think how life is like that. One thing leads to another, and looking back it often seems to fit like pieces of an intricate puzzle into a perfect whole.
These are the kinds of connections that strike me after viewing movies a few times — or reading books more than once. Once I get to know a story, my focus changes and, if the depiction is sound, connections and inner workings start to reveal themselves. I see not only the primary theme, but layers of meaning, sometimes meaning no one ever intended. I like, so far, the fact that I know little about how movies are made. My lack of knowledge lets me keep the illusion alive even while I look deeper.
One of my favorite forms of interaction in movies is between humans and other animals. Horses in particular. This shouldn’t be surprising, considering the connection between horses and people throughout our shared history. But horses in movies seem significant to me because, in spite of the historical relationship, so few of us spend any time with horses today. Including me. I don’t know much about horses except that even though I’ve ridden them only three times in my life (and not very well), I love them, in real life as well as in movies and books. I ate up the Misty of Chincoteague series as a girl, and Airs Above the Ground started my idol worship of Mary Stewart’s books. When I first read The Lord of the Rings, as a teenager, I was almost as upset as Sam when Bill the pony had to be released before entering Moria. I’ve thought that if there is one tiny flaw in Peter Jackson’s movie verions of The Lord of the Rings trilogy it was that Shadowfax didn’t get more attention. He was bigger than life in the books. (But the movie version is so intense and rich that I can’t complain. I can only suggest that anyone who loves the story should also read the books.)
Maybe my fascination with horses is genetic. My mom grew up around horses. Her father traded them, and spent a lot of time at the racetrack. Her maternal grandfather, a Danish immigrant, was a rancher, and a few of her relations were cowboys, either the working kind or, more recently, the rodeo kind. My dad’s grandfather was a blacksmith. So yeah, horses must connect to my DNA somehow. Possibly to everyone’s, considering human history.
There is a special horse in the movie version of The Lord of the Rings, nonetheless. Each time I watch The Two Towers, I have to go back and play a particular scene over again. Perhaps you know it. Aragorn’s horse finds him washed up on a riverbank. The horse nudges him awake, and then kneels to help his injured rider mount. The relationship between horse and man hits me, there, every time. It’s just a movie, right? Well, a little research led me to the fact that Viggo Mortensen spent extra time with that horse during filming and even purchased the horse after finishing the movie. He went on to make his next movie, Hidalgo, with another horse named TJ, again spent lots of time getting close to the horse during filming, and again purchased the horse afterward. Old news for many fans, perhaps, but new and touching for me. I haven’t seen Hidalgo yet, but now I’ll have to.
My favorite movies are the ones with so much intricacy and detail that I can watch them over and over and see something new each time. I’m the same way with books, with poetry, with artwork of all kinds, including architecture. I like the appearance of simplicity, with complexity running deep within. I like infrastructure, lots of background and foundations we never see but sense are there. I like fine craftsmanship in all forms, and the drive to put one’s heart into one’s work. I’ve started to notice this chemistry in movies sometimes, a hint of how a cast and crew must have worked as a team, that remains as a very personal energy running through the finished product. I like to think that even what winds up on the cutting room floor has a part in that energy. That’s how the world is, after all, it’s full of interconnections and even interspecies cooperation, as well as competition, yet deceivingly simple on the surface — for all its obvious glory. The best fiction and the best artwork is, after all, a metaphor for life — at times even something beyond this life.
Which leads me to a final observation from those movies, one that led to an epiphany for me. It came to me the last time I watched The Return of the King. At the very end Frodo turns for a last glance at his friends, and his face transforms from a look of sorrow and grief to a combination of mischief, delight, anticipation, and near beatification — the same expression Galadriel wore when we last saw her a moment earlier. They remind me uncannily of accounts I’ve read of near-death experiences or of messages received from the other side by mediums. Earlier in the story Gandalf even spoke to Pippin about death, referring to it as a passage to a distant country, full of wonder and beauty.
This got me to thinking about why we love fiction, and Joseph Campbell’s perpetual examination of the power of myth.
Too often today fiction is criticized as a form of manipulation, and in many cases rightly so. We see the manipulation in advertising every day, even the most artistic of it. More and more product placement in TV, sensationalized — almost fictionalized — news rather than objective coverage, celebrity worship, so-called reality TV, politicians pumping themselves up or dragging others through the mud, and religious figures taking on exaggerated roles, promising to save us from hellfire of one flavor or another. Even in purer forms of fiction, in the quest to make money, publishers and writers pump out novels faster and faster, according to contracts and marketing ploys, seeking the next book that will be like the one that sold so well before. Stories seem to lose something in the process. They become pure entertainment and cleverly rather than artistically crafted, in a hurry, with little art remaining, little beneath the surface. A tree is cut down for something that remains on bookstore shelves for a couple of months and then is sold used for a penny at Amazon, or forgotten. The reader can begin to feel manipulated or addicted to the illusion and rapid consumption rather than edified by it.
In the midst of all this, why do we still love fiction? Why do we feel driven both to create and consume story? Is it a waste of time? Is it mere child’s play, the pastime of dreamers who need to get a grip on reality? Or is there something much deeper, an innate hunger or instinctive need at work?
If, as some philosophers surmise, and many near-death experiencers and mediums claim, this world is but an illusion, then is all fiction a metaphor for this great stage performance we call life? Plays within the play? Dreams within the dream? Is its purpose to teach us to see the difference between the smaller play and the bigger play, in order to prepare us to see beyond the greater play we act out in this life? (Which might mean Shakespeare’s Hamlet is holy scripture.) Is fiction a tool, an abstract ritual object we use to prepare us to see through that illusion and finally leave this world behind?
I wonder does that make directors, actors, publishers, and fiction writers the priests, handing out the keys to salvation in the form of story? Are theaters and libraries our true temples? Some of us would love to think so, I’m sure. What an ego pump that would be, for a few. What a power trip.
Or is the truth that each human saves himself, perhaps with the cooperation and companionship of his chosen cohorts? Does each of us take in each story and each experience and sift out those of his own choosing and discretion? Does each, in his own way, create his own story, and interpret it as he journeys through life, thus honing his ability to see past the illusion? Does each person make his own way to a deeper truth, progressing step by step toward the blazing dawn of enlightenment?
How does that come about? The best fiction, the best movies, draw us in so completely that if we let ourselves we can believe they’re real at the time we’re in the story. Is that the key to realizing how completely we can be drawn into an illusion, the key that helps us begin to see that it is possible this life, this world that seems so real and has such a hold on us, might possibly also be just a story, only an illusion? Does creating our own illusions show us how it’s done?
That’s my little epiphany, perhaps not meaningful to anyone but me. These things are personal. But I didn’t invent the possibility of the world as an illusion. Plato wrote about it in his Allegory of the Cave some 2,300 years ago, and it’s my understanding there are similar teachings in Hindu scriptures possibly more than 5,000 years old. It’s a thought probably older than that, painted on the walls of caves and leached into the earth from the ashes of ancient campfires, blown on the wind by their smoke, still inhaled each day by us. An ancient thought, as ancient perhaps as myth itself, and human self, which we explore today in the form of movies, plays, short stories and novels, through art, poetry, music — as well as through religion, history, and science. But it’s new for me to think from this perspective, and I don’t think I can ever see the fiction, fantasy, dreams, or creative endeavors I choose to partake in as a waste of time, from here on out. Not that I ever did. Some instinct in me drew me to them, and I answered. Perhaps all I’ve gained from my epiphany is an answer for those who would denigrate such as being a waste of time, of being a symptom of escaping reality or not being practical. It could be that carefully selecting my chosen forms of illusion is a way of taking greater control over my own life rather than escaping it. I can tell the “realists” who call me nothing but a dreamer to . . . watch a movie . . . read a story . . . write a poem. Get real by way of study of the dream within the dream.
Edited 12-21-2006. —BK
Or should I say, let me take you on an outing with my secret love.
“Who?” you ask.
“Poetry,” I whisper.
Those of you who’ve read Shadows Fall have probably guessed that I’m a huge fan of William Wordsworth and Emily Brontë. I’m a poetry fan, all the way around. I love dead poets, old poets, young poets, and poets yet to be born. While writing that novel, I feared that I’d bore all the non-poetry fans with my unrelenting references to poems. I held back as best I could. For instance, I wanted to quote the entire body of Wordsworth’s “Daffodils,” and the entire portion I was then familiar with of Emily Brontë’s “The Prisoner.” Which reminds me, until recently I was only aware of five stanzas of that Brontë poem, beginning with:
“He comes with Western winds, with evening’s wandering airs,
With that clear dusk of heaven that brings the thickest stars:”
(more…)
Does your pet have a history that seems to match a work of fiction?
If I had to name a novel that is most like one of my pets, it would be to place my gray cat Emily in Jane Eyre—as Jane herself. We’re not sure of her history, but we know it was difficult, until she settled into an easy life here with her Mr. Rochester—our cat Merlin.
Merlin used to meet other cats, even those he turned out to like, with a lot of hissing and grumbling and suspicion. But he fell in love with Emily at first sight, eager to welcome her into the house. We weren’t so sure about this skinny cat with her gray hair all dirty, brittle, and falling out. (In her modest, dove gray governess dress?) She was timid (terrified) of Merlin and us, everyone in fact but the dog, who even as a puppy I hesitate to compare to Jane’s charge, with her hair in ringlets—even though Emily became his surrogate mother and he is somewhat spoiled in a charming, innocent sort of way.
With Merlin, though, it was as if he stood at the door, opened it wide, and beckoned her in, saying to us, “Isn’t she beautiful?” while we looked on in amazement. She always did have lovely eyes, I must admit, but—but—we feared she was out of his class. Merlin never fussed over her presence, and he shared everything he owned with her from the first day. Up until then, I was his favorite. I hope that doesn’t make me the mad woman hidden in the basement attic. Er—no, that’s too literal.
What novel has your pet lived?
The subject of privilege came up on a forum where I sometimes participate, and it seems a relevant topic for Independence Day, since we tend to think of the US as a relatively privileged nation. The discussion grew out of one person claiming to be oppressed (my word choice, used to boil the idea down), and another saying he was equally oppressed, with a resulting one-upmanship of who was worse off or better off, at one point involving the term privileged. Out of that grew a separate discussion on what it means to be privileged in this world. Here’s what I shared on the subject, with some edits:
***
To me being privileged means having more than one’s basic needs met, and there are degrees of privilege, and it is relative, and basically meaningless. I’m more privileged than some people I know, and less privileged than some I know. But all I can really say about that is what I see on the surface.
It’s tragic that so few people in the world have adequate food, water, sanitation, shelter, clothing, necessary transportation, education, rest, safety, security, and health care, even some people in the US. Those should be basic, subsistence level expectations, especially considering how far we’ve come technologically in this world. Unfortunately those advances seem to be reserved for the wealthiest people in the wealthiest countries, for those living under certain forms of government and economics. Basic civil and human rights should also be considered subsistence level—everyone should have them. Not everyone does, even in the most economically “privileged” countries. We can’t even agree on what civil and human rights people should have.
But I also think many people in the world have a skewed notion of what it is to live under what they consider privilege (i.e. better apparent economic or social conditions than theirs). It looks easier. In many ways it is. It’s no guarantee one will be happy. (more…)
A comment discussion at Eric Mayer’s blog post, Putting Ourselves Out of Business, involved the idea of considering one’s writing just a hobby. I have a feeling that most fiction writers, published or not, feel to some degree as if they’re hobbyists these days. After all, there isn’t much money to be made in this business, except by a very few. But they also have to take it seriously in order to get far, it has to be an intense, obsessive sort of hobby.
Late in 1993, after a lot of discouraging experiences attempting to sell my fiction, I decided to “quit fiction writing for good” and I wrote nothing but personal journals and technical manuals for a year. I began writing fiction again early in 1995, but with a difference. I did it, as I’d begun as a girl, to please myself, primarily to complete a story I thought had to be written or it would drive me nuts. That story had been percolating inside me since I was seventeen. I surprised myself then by doing some of the best fiction writing I had in my life to that point. My decision at that point to please only myself with what I wrote carried me through a kind of barrier into a different way of looking at writing fiction. (more…)
Last night my dad’s house burned down. It was there at seven-thirty in the evening. By eight-thirty it was gone. Destroyed in 39 minutes. No one saw this coming. No one’s sure what caused the fire, at this point. It appears to have started in a bathroom.
All five people who were in the house got out okay, with only their clothes—or in my dad’s case his pajamas—on their backs.
Life is strange, how it plods along, and then—poof!—a puff of smoke and a pile of charcoal is all that’s left of everything you own, as if it was a cruel illusion—which I suppose it is. Physical things create an illusion of permanence in an impermanent life. Love is all that lasts.
I’m still in shock, and I wasn’t even there. (more…)
