I decided to answer your comments in a new post, since some of my responses are lengthy. You’ve given me a lot to think about and helped me reconsider my feelings about critiques. Even though I disagree with some points, as they relate to my writing at this time, you all shared wisdom that deserves attention. (more…)

Writing is risky. Especially writing fiction. As Forrest Landry points out in his latest post at For The Trees, alarm and ire have arisen over the number of writers who give up these days and self-publish. He pointed to a blog post by E. Ann Bardawill at Something Fell, on The Killing of Mockingbirds. She used Richard Adams’ Watership Down as an example, and that drew me in because it’s one of my favorite books. (more…)

To answer some of your comments, I’m much happier with the characters in this second draft of my latest mystery, and I think they’ll continue to grow, which is important for a series I’ll want to go back to. It wouldn’t do for the author to get bored with the backdrop and characters in a series too soon.

How does the emotional factor compare with my earlier mysteries? Shadows Fall was intensely emotional, since it dealt with Beth Gray’s PTSD and related phobia, as well as her dramatic family interactions. That was a different kind of story. It’s been called psychological suspense by some, and I think it tips in that direction. This story doesn’t go that far into psychological drama, but there’s a strong people element, as well as romance, and these characters have their histories, which to a great extent drive them to do the things they do, for good or ill. Instead of psychology, here I’m exploring one area of parapsychology—or at least paranormal experience. Nothing creepy or horrific about it, but I hope it will intrigue all the same. (more…)

I thought I’d better check in, since I’ve been absent so much lately you might think I’d been sucked into my computer and am living an alternate existence inside my own fiction. That’s how it feels sometimes. I’ve finally finished the second draft of the novel in progress. This was a huge effort, mainly because I rewrote just about the whole thing. Except for one or two of the early chapters it’s almost unrecognizable compared to the first draft, with major point of view and character changes. I’m much happier with the resolution to the mystery. I’m reading back through, looking for the places the story slows down. (more…)

My current novel started out as a story told from a single point of view, that of a young woman named Iris Somerset, who’s a tarot reader. She gets caught up in a murder investigation, mainly because the police don’t believe she had a psychic vision of the murder. She doesn’t really blame them. She can hardly believe it herself.

The first draft seemed to go great, and I finished it quickly.

It felt a little flat to me. There was a lot more story seeping into my mind, as the original idea developed and morphed over time, than was apparent in that draft. The main problem was the limited viewpoint. After debating with myself for a while, I decided the story needed a second viewpoint character. Actually I have to admit the character himself told me this. Yeah, sounds a little crazy, huh. But this is fiction. He was coming to life, and he wanted a voice.

The character was already there. I just had to make him a viewpoint character, change some scenes that involved him so he could tell a portion of the story from his perspective, reveal some of what he knew.

It sounds so simple. (more…)