Last night my dad’s house burned down. It was there at seven-thirty in the evening. By eight-thirty it was gone. Destroyed in 39 minutes. No one saw this coming. No one’s sure what caused the fire, at this point. It appears to have started in a bathroom.
All five people who were in the house got out okay, with only their clothes—or in my dad’s case his pajamas—on their backs.
Life is strange, how it plods along, and then—poof!—a puff of smoke and a pile of charcoal is all that’s left of everything you own, as if it was a cruel illusion—which I suppose it is. Physical things create an illusion of permanence in an impermanent life. Love is all that lasts.
I’m still in shock, and I wasn’t even there. (more…)
Yesterday brought news of a death in the family, of a beloved aunt—actually my mom’s cousin. She lived in Oregon, and I hadn’t seen her much since I was a kid. But all my memories of her are fond ones, and I miss her, and I know her two daughters and son and grandchildren miss her an awful lot. I hope she, her husband, my mom, and all the other relatives who’ve gone on before are having a happy reunion on the other side. I can almost hear them, and I like that thought. It brings back memories of family get togethers when I was a kid and would sometimes sit and listen to all the grownups talk and tell stories.
***
After a quiet day yesterday, I woke early this morning (early for me, anyway), to sirens, thinking I’ve never lived in a place with so many sirens, even when we rented within a couple miles of Montgomery Field and one of the busiest intersections in San Diego. But here we’re right off the main road that runs through town. This morning the sirens were especially disconcerting, and I decided maybe I’d had too much coffee.
(more…)
in the privacy of my bedroom, as a teenager, with colored pens. This involved lots of doodling as well as writing. Little hearts, daisies (shudder). I’m better at drawing the daisies now.
Later I taught myself to type on an old Smith Corona typewriter my mother or her mother purchased when Mom was in her teens or early twenties. She was born in 1923, if that gives you a clue to its age. It’s one of those typewriters that could be used to trace a murder suspect because of the way it slightly superscripts certain characters. I used it while seated on the floor of my bedroom beside my bed. Sometimes the typewriter rested on the floor, sometimes on a little castoff maple end table.
(more…)
The latest issue of Piecework features vintage aprons, including a collection with themes like Visit to Grandmother’s Farm, and Cycle of Life. My favorite is the peridot green gingham with cross-stitch embroidery depicting the Eternal Question, “Which came first, the chicken or the egg?” Aprons remained in vogue during the entire first half of the twentieth century, when most women worked at home. Sometime during the sexual revolution, aprons lost favor, except for men working the outdoor barbeque, proud of their culinary skills, pleading for kisses as rewards.
A lot of changes took place during that time. In the course of just ten years, my siblings and I went through big changes in what clothing was acceptable, and who was expected to make it.
When my oldest sister was in junior high school, she came home one day upset because her friend had been sent home for her skirt being too short, a crime proven by use of a ruler. My guess today is that either the fabric shrank in the wash, or she’d gone through a sudden growth spurt in the legs. After all, she wasn’t “that kind of girl.” In high school my oldest sister belonged to an organization called Future Homemakers of America. Many of the girls who belonged made their own homecoming and prom dresses. One girl in my sister’s class earned the reverence of her peers when she stitched hers completely by hand. (more…)
