Writing takes courage. Submitting work is in many ways the most courageous act a writer commits. I don’t know of any aspiring novelist who looks forward to the task of synopsizing his or her own novel and then waiting around for rejection after rejection.

The synopsis itself is often a major hurdle. If a story could be rendered in that short a form, you’d have written a short story instead of a novel, right? I’d rather have a tooth extracted than attempt to synopsize mine. In fact I’m in danger of running out of teeth before I find the right agent, because of my personal loathing for synopsis. Still, it’s necessary to get the idea across in a form agents can absorb and understand quickly on their way through a gazillion other queries. A good, crisp synopsis makes an agent eager to read the entire manuscript.

Can one learn this skill by example? By reading examples, along with an agent’s reasons why they’re good or not? More likely example and practice are necessary. But examples sure help. So put on your synopsis-writing cap and read through the recent series of “Crapometer” posts at Miss Snark, the literary agent. Thanks to Miss Snark for her time sharing her insider views, and thanks to the writers who braved the Crapometer’s challenge.

When I first hoped to see Snow Angels in print, I decided to come up with a concept for the cover, and I drew this sketch. Actually I drew more than one, but this was the one that made me happiest at the time. I’m not much of an artist. Sometimes I impress myself—but then I’m easily impressed. Anyway, it seems appropriate to the season.

Snow Angels is available as a free e-book on my website. My multi-talented husband, Ken, created the cover art you see there.

NOTE: Please only comment on this post if you’ve read Snow Angels. Off-topic comments will be moved or deleted. The comments on Snow Angels are sometimes snipped due to content that may give away the ending of the story (thus the term “spoiler”) to others who haven’t yet read the story.

If you’ve read and enjoyed Snow Angels, please consider a donation in support of my work and this site:

If a fiction writer ever needed inspiration, Post Secret has to be one of the most likely places to find it. But I suspect most fiction writers are like me, with so many ideas they can’t sleep at night for fear they’ll never have time to use even the best of them.

View the blog, or read Post Secret the book, available at Amazon.

To answer some of your comments, I’m much happier with the characters in this second draft of my latest mystery, and I think they’ll continue to grow, which is important for a series I’ll want to go back to. It wouldn’t do for the author to get bored with the backdrop and characters in a series too soon.

How does the emotional factor compare with my earlier mysteries? Shadows Fall was intensely emotional, since it dealt with Beth Gray’s PTSD and related phobia, as well as her dramatic family interactions. That was a different kind of story. It’s been called psychological suspense by some, and I think it tips in that direction. This story doesn’t go that far into psychological drama, but there’s a strong people element, as well as romance, and these characters have their histories, which to a great extent drive them to do the things they do, for good or ill. Instead of psychology, here I’m exploring one area of parapsychology—or at least paranormal experience. Nothing creepy or horrific about it, but I hope it will intrigue all the same. (more…)

I thought I’d better check in, since I’ve been absent so much lately you might think I’d been sucked into my computer and am living an alternate existence inside my own fiction. That’s how it feels sometimes. I’ve finally finished the second draft of the novel in progress. This was a huge effort, mainly because I rewrote just about the whole thing. Except for one or two of the early chapters it’s almost unrecognizable compared to the first draft, with major point of view and character changes. I’m much happier with the resolution to the mystery. I’m reading back through, looking for the places the story slows down. (more…)

Mark Terry wrote An Open Letter to Aspiring Writers on his blog, This Writing Life. I can’t say I agree with every point he made, and there are some I don’t qualify to offer any opinion on. His post got me thinking about why we write, which I’ve explored here before, and more specifically why I continue. Especially his first point. (Read Mark’s post for his words.)

It’s probably healthiest for the aspiring writer to look at fiction writing one of two ways. 1) As an after-work side job or business that one is willing to give up on if it doesn’t pay off, or 2) as a beloved hobby to pursue in one’s spare time—after time with family, after taking care of responsibilities, and perhaps even after just goofing off. (more…)

Writers discuss breaking the rules of writing all the time, whether it’s the rules of grammar, of writing in general, or the rules of a particular genre. One rule of thumb is to learn the rules and understand the reasons for them, to understand whether they’re widely accepted and respected rules, or merely arbitrary. Once you know them, when you choose to break a rule you at least understand the possible consequences. Some say breaking the rules of genre is necessary to reach the bestseller list. Others warn it can prevent a writer from being published at all. I suppose that depends on which rules, and how one goes about breaking them.

But rules of writing aren’t the rules I’m concerned with breaking, at the moment.

What I’m puzzling over is how many rules a sleuth can get away with breaking within the confines of a mystery. (more…)

I had jury duty last week. I have to go back this week to sit on a panel. They’re selecting for a long trial—about two months. Part of me thinks, wow, that might be interesting. Another part wonders what will happen to my writing flow, my other interests—the rest of my life—if I’m selected. All in all, I’m not thrilled. Please don’t think I’m trying to get out of doing my duty. I believe in the jury system and all that. I’m even fascinated by the chance to watch any real life court proceeding—as long as it doesn’t involve me paying a settlement or serving time. The educational experience can only help me as a mystery writer. It’s just that I’ve done this duty so many times, it lost its novelty a long time ago. (more…)

My current novel started out as a story told from a single point of view, that of a young woman named Iris Somerset, who’s a tarot reader. She gets caught up in a murder investigation, mainly because the police don’t believe she had a psychic vision of the murder. She doesn’t really blame them. She can hardly believe it herself.

The first draft seemed to go great, and I finished it quickly.

It felt a little flat to me. There was a lot more story seeping into my mind, as the original idea developed and morphed over time, than was apparent in that draft. The main problem was the limited viewpoint. After debating with myself for a while, I decided the story needed a second viewpoint character. Actually I have to admit the character himself told me this. Yeah, sounds a little crazy, huh. But this is fiction. He was coming to life, and he wanted a voice.

The character was already there. I just had to make him a viewpoint character, change some scenes that involved him so he could tell a portion of the story from his perspective, reveal some of what he knew.

It sounds so simple. (more…)

Every now and then the subject comes up on DorothyL (DL) of whether authors should be, or ever are, paid to include real product names in their fiction. A few authors jokingly ask who’s getting paid to mention products, so they can find out how to get paid too.
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