If I were perfect, I’d be able to write books really fast and post on my blog every day, like those amazing, super-productive super-people out there. You know who you are.

Unfortunately, I’m terribly slow at both, and I need to focus on one or the other for extended periods of time in order to get much accomplished at either.

I’ve been busy working on my book, so I’ve been away from this blog, the other blogs I love to read, and even my email.
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In The Artist’s Way, Julia Cameron recommends periodically going an entire week without reading—anything. If you choose to try this, you’ll discover just how much the written word permeates your life, whether you read many books or not. (more…)

If you’re an aspiring writer, and even if you’re not but want to know more about the possible randomness of publishing today, I urge you to hop over to historical mystery author Eric Mayer’s Byzantine Blog to read his series of blog entries about Michael Allen’s On the Survival of Rats in the Slush Pile, beginning with Eric’s post, Considering Rats in the Slush Pile.

I recently read The Writer’s Mentor, by Cathleen Rountree, which has already become a favorite resource for me, one of those books on writing I’ll keep on my shelf and go back to again and again.

The Writer’s Mentor isn’t a book full of how-to tips and writing exercises. It’s more about the writing life, and how to keep your creative self nourished. I found it vaguely reminiscent of Julia Cameron’s The Artist’s Way, but more specific to writers, and without structured exercises like morning pages and artist dates. Aspiring writers are instead encouraged to find their own best patterns of writing and creative renewal.
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Vikk Simmons at Down the Writer’s Path asks Why write every day?

I read yesterday in The Writer’s Mentor that Mark Twain began writing the story of Joan of Arc six times over the course of twelve years. He said, “There are some books that refuse to be written . . . only because the right form for the story does not present itself.” Of course, he didn’t let that not-ready-to-be-written story stop him. According to the site linked under his name, Twain published nine works including Life on the Mississippi, The Adventures of Huckleberry Finn, Tom Sawyer Abroad, and Pudd’nhead Wilson during the twelve-year period prior to Personal Recollections of Joan of Arc.

Regarding the need to write every day, the only question a writer in that situation ought to ask is: Do I want to write? If the answer is yes, even though what you think you want to write may be stuck for now, that doesn’t mean you should stop writing. (more…)

I write on my laptop, in a barricaded corner of the living room near the kitchen—eight feet from the coffee grinder and coffee maker—surrounded by instruments of creation, including my L-shaped desk that used to work in a bank. The remaining wires from the silent alarm were removed just prior to positioning the desk in my living room. (more…)

I found a link on Bill Crider’s Blog to a wordofmouthwriters.org letter to Oprah Winfrey (link no longer active on 03-07-2008), asking that she focus once again on books by contemporary authors in her book club. The request is made by Word of Mouth, An Association of Women Authors. (more…)

The first draft is you and your idea’s courtship. It’s the time when you try each other out, let things happen as they will. It flows organically out of your creative center, and you let it come, trusting that there’s a purpose to it, that all will work out in the end and you actually have something worth keeping. (more…)

I just stopped reading another book. Actually I stopped reading it days ago, and I just now realized I won’t start again. It’s been sitting beside my bed, and I’ve picked up several things since, neglecting this pretty blue cover I found so appealing in the store.
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For the first few pages of Finding Your Voice: How to Put Personality in Your Writing, I didn’t think I’d get much out of it. Les Edgerton didn’t sound like any writing teacher I’d ever listened to. By the time I’d finished reading Chapter One I felt more at home, and I knew I’d continue reading. Why? Les Edgerton understands voice, and he writes about it in a way I understand. What put me off at first? Surprise. I’m not used to finding such a friendly voice in a book on writing. (more…)