in the privacy of my bedroom, as a teenager, with colored pens. This involved lots of doodling as well as writing. Little hearts, daisies (shudder). I’m better at drawing the daisies now.

Later I taught myself to type on an old Smith Corona typewriter my mother or her mother purchased when Mom was in her teens or early twenties. She was born in 1923, if that gives you a clue to its age. It’s one of those typewriters that could be used to trace a murder suspect because of the way it slightly superscripts certain characters. I used it while seated on the floor of my bedroom beside my bed. Sometimes the typewriter rested on the floor, sometimes on a little castoff maple end table.
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Everyone’s blogging about James Frey, whose book I haven’t read. The Smoking Gun calls it A Million Little Lies. I found my favorite comments on the subject over at Duane Swierczynski’s Secret Dead Blog, in An Open Letter to James Frey. They’re my favorite because Duane made me laugh, and I wish I could dismiss the whole subject as laughable. But as Lee Goldberg pointed out in his post, Lies are the new Truth, we seem to live in a world that devalues truth.

Is that the way you like it? (more…)

Susan, at Spinning, posed this question to writers, in her post on Reading & Writing, after she answered it on another blog. It’s a writing question on the surface only. It can apply to a lot of things people do, mostly creative. It only starts out in a context of writing. I suppose it has a lot to do with our ability to multi-task. I guess I tend to have more of a one-track mind.

When I’m writing fiction, I tend to read mostly nonfiction, often research related to what I’m writing, or a good book on writing, creativity, or personal growth. Anything that helps understand people and their motivations better is helpful to fiction writers, as well as anything that improves our story building skills and instincts—which isn’t necessarily limited to books on writing. I don’t go for the type of self-help books that offer quick fixes to personal problems. I classify most of those with fad diet books. But I’m drawn to books that help me understand human nature and the human experience on a deeper level.
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If you’re an aspiring writer, and even if you’re not but want to know more about the possible randomness of publishing today, I urge you to hop over to historical mystery author Eric Mayer’s Byzantine Blog to read his series of blog entries about Michael Allen’s On the Survival of Rats in the Slush Pile, beginning with Eric’s post, Considering Rats in the Slush Pile.

I recently read The Writer’s Mentor, by Cathleen Rountree, which has already become a favorite resource for me, one of those books on writing I’ll keep on my shelf and go back to again and again.

The Writer’s Mentor isn’t a book full of how-to tips and writing exercises. It’s more about the writing life, and how to keep your creative self nourished. I found it vaguely reminiscent of Julia Cameron’s The Artist’s Way, but more specific to writers, and without structured exercises like morning pages and artist dates. Aspiring writers are instead encouraged to find their own best patterns of writing and creative renewal.
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For the first few pages of Finding Your Voice: How to Put Personality in Your Writing, I didn’t think I’d get much out of it. Les Edgerton didn’t sound like any writing teacher I’d ever listened to. By the time I’d finished reading Chapter One I felt more at home, and I knew I’d continue reading. Why? Les Edgerton understands voice, and he writes about it in a way I understand. What put me off at first? Surprise. I’m not used to finding such a friendly voice in a book on writing. (more…)

Each year around this time I pick up my copy of The Winter Solstice: The Sacred Traditions of Christmas, by John Matthews (with contributions from Caitlin Matthews). (more…)