No, you haven’t landed on the wrong blog. Though I usually only post about Tarot on my other blog, Spirit Blooms, in honor of World Tarot Day, I’d like to share my love of Tarot a bit more broadly, and also to honor some of the people of Tarot, including writers and artists that I think are rather special.

By the way, I understand that today is also World Towel Day for Arthur Dent fans (The Hitchhiker’s Guide to the Galaxy).

Tarot Writers and Artists
First, I want to introduce you to the blogs of two women and one man who’ve contributed a great deal to the study of Tarot, for me personally and for a lot of others. Mary K. Greer is the author of Tarot For Your Self and The Complete Book of Tarot Reversals, along with many other insightful books on Tarot. Rachel Pollack is an award-winning novelist as well as author of numerous books on Tarot and the Kabbalah, including Seventy-Eight Degrees of Wisdom, The Forest of Souls, and a pair of detailed companion books for the Haindl Tarot created by Hermann Haindl. Ms. Pollack also created the Shining Tribe Tarot.

In addition to those who write books about Tarot are a number of people who write articles, publish newsletters, review Tarot decks and books, and operate online forums. Then there are the deck creators who continue to color the lives of Tarot lovers with new and fascinating decks, beautiful images, and deep symbolism. James Wanless, Ph.D., or Captain Pick A Card (notice I’m linking to two different blogs here), is the creator of the Voyager Tarot, which is the first Tarot I owned and learned with, back in the late 80s. It’s a photo collage deck, and it still resonates for me in its beauty and usefulness.

Some of the most innovative modern Tarot decks include Mark McElroy’s Bright Idea Deck, and Emily Carding’s Transparent Tarot. While my preference is for a more traditional look and feel to Tarot, it’s decks like these that bring Tarot to people who never considered it before, and have helped carry it into the 21st century.

Sometimes an established artist decides to create a Tarot deck. Hermann Haindl is a great example of an artist who is also knowledgeable about Tarot, and I find his Haindl Tarot to be phenomenal. Artist decks are sometimes disappointments, either because the artists haven’t studied Tarot in depth, don’t have the right feeling for it, or because some aspect we expect of Tarot is missing. It’s not enough for a Tarot to just have pretty pictures or a novel theme. The best art-based decks are fabulous for reading, as is Elisabetta Trevisan’s deck, the Crystal Tarots.

History and Structure
Tarot is a centuries old phenomenon, the earliest European decks having appeared by the 15th century. No one really knows its origin, or its original purpose, but we know that it’s been used both as a deck of playing cards and as a system of divination for hundreds of years.

A Tarot deck is defined primarily by its structure. The deck typically contains 78 cards and includes two parts, a Major Arcana and a Minor Arcana. The Major Arcana contains 22 archetypal images, or Trumps, and the Minor Arcana is more like a deck of ordinary playing cards, with four suits of numbered and Court cards. Whereas a deck of playing cards includes only three face cards in each suit, a Tarot deck has four Courts, traditionally titled Page or Knave (the Jack in a playing card deck), Knight, Queen, and King. The Joker in modern playing cards is derived from the Fool archetype in the Tarot’s Major Arcana.

Three styles of Tarot decks have developed in modern times. Some use only pip cards, with non-scenic illustrations of the given number of suit elements for the numbered Minor Arcana. Others contain scenic illustrations in the Minors, which many people find richer in symbolism and easier to use in readings.

But enough of the technical details and history. I’m positive that if you’re interested in learning more, you’ll find plenty to intrigue you with a simple online search. For more about Tarot history, check out Trionfi.com or Tarotpedia. You can also learn about the history of specific decks at Wikipedia, such as the Rider-Waite-Smith Tarot and the much more ancient Tarot de Marseille.

The Art of Tarot
The draw for many people who love Tarot is the artwork. Some collectors don’t read with the cards at all. I won’t post any images here, for reasons of copyright. But I’ll provide a link or two to get you started at sites where samples of both ancient and modern decks can be viewed.

Golden Tarot by Kat Black (Use links at left to view the Majors, Coins, Cups, Swords, Wands.)

Tarot of Transformation by Jasmin Cori and Willow Arlenea is “an innovative deck by two psychotherapists offering an integrated and embodied spirituality.”

If you want to spend about two full days browsing samples of Tarot decks, you might want to try Aeclectic Tarot. This site also links to the Aeclectic Tarot Forum, one of the biggest and best places on the Internet to learn about and discuss Tarot, thanks to its most generous hostess, Solandia.

Last but not least, the German site Albideuter.de
compares the same cards from a staggering number of different Tarot decks.

Uses of Tarot
Tarot is most useful for gaining valuable insight into our lives, which is something that can’t be measured except through the experiences of those who use it or benefit from it. I don’t typically set out to use Tarot to predict the future, though there are times when it does that anyway, a mystery I won’t go into here in any depth, because frankly I can’t explain it. If someone is interested in how Tarot might do that, or how any kind of psychic ability or extra-sensory perception works, there are many theories, ranging from spiritual beliefs to quantum physics, and there are scientific studies going on all the time. Carl Jung experienced events that he classified as ESP, and as a scientist he thought the subject deserved further study. He also coined the term Synchronicity, or “meaningful coincidence,” which is what a lot of students of Tarot, including me, tend to think is at least partially behind how Tarot works.

If you’re interested in following some of the latest research into psychic and other related phenomena, you might want to check out these links:

Institute of Noetic Sciences
American Society for Psychical Research
Consciousness Research Laboratory
The Veritas Research Project, University of Arizona

I find that my personal use of Tarot helps me most with insight, helping me to understand what’s going on in my life — especially inside my own psyche. It sometimes helps me make decisions by pointing out options or perspectives that I hadn’t thought of on my own, and it helps me by pointing out where I have either deluded myself about something or I have a lot of unconscious stuff going on that I need to be more aware of. I’ve also at times used it as a tool for meditation. Some psychologists and therapists use Tarot in their practices to help clients understand their projections, archetypes at work in their lives, and other unconscious issues. Sometimes an image is much better than words at bringing unconscious material into the open or into greater clarity. Tarot could be compared to dreams in its symbolism, and to literature in how it provides a metaphor for typical situations and processes that all humans experience.

I’ve used Tarot to spark my creativity, either to inspire the topic of an essay or to help me work out plotting puzzles in my fiction. The solution to the mystery in Snow Angels came almost entirely from a series of Tarot readings. I’ve read of other Tarot users who also find Tarot helpful in their creative work.

Additionally, Tarot is used, mostly in Europe, to play a card game known as Tarock, Trionfi, or Tarocchi (more instructions here). I’ve never played this game, and the instructions look complex to me. (I grew up playing Canasta and Cribbage.) My understanding is that it’s something like Bridge.

I discovered my love of Tarot more than 20 years ago, and to this day it remains my favorite mystery.

Happy World Tarot Day!

Today is our local Avocado Festival. I don’t plan to go this year. My spouse went very early, before the crowds arrived, for some fresh produce and a carne asada burrito.

I would’ve titled this post with the name of the actual festival we had here in town today, except that I’m going to criticize it a little bit, and I don’t want to cast a shadow over that particular event for any locals who otherwise enjoy it. My criticism isn’t about just our Avocado Festival.

The positive side is, I’m eating a strawberry. That’s always a good thing. In fact, I’m rich today, with three little baskets of strawberries and a good week or two’s supply of avocados. Not only that, we got some of the avocados for free, from a local business near one of the avocado packing plants. Presumably they’re cast offs from the preparation for the festival, since they aren’t very pretty ones. But they’re still delicious, and dead ripe, so I already got to enjoy some for breakfast. My favorite way to eat avocado is mashed with salt and pepper and spread on toast. Since I live with my favorite bread baker, this is the ultimate easy (for me) and delicious breakfast.

My rant is not about the immense crowd that will be there later today, even though I’m not a crowd person. I can handle crowds, and even enjoy them, in small doses. My rant is not about the local vendors who show up each year. It’s not even about the non-local vendors who show up there. After all, everybody’s got to make a buck, right? Some of the vendors are wonderful.

You can get the best local tacos, tamales, and burritos at our Avocado Festival that you’ve ever eaten, and there’s always a nice supply of fresh avocados, of course. Then there’s the standard fair fare, funnel cakes and lemonade and . . . well, the list goes on. We don’t buy most of that standard fair food, so I’m not even aware of what it all is. We usually go for the Mexican food. Some of it’s not available year round, even here, because it’s from groups or businesses that put out a special effort just for the festival. It’s a rare treat, and one of the great draws of the festival for us in the years we attend.

In the years that we attend, we’ve learned to walk there early, as soon as the booths are opening. That way we avoid the biggest crowds and the worst heat.

I’m not sure why, but the day of the Avocado Festival is always hot, even though we can get some pretty cool weather in April. Three days ago we had a high of something like 67 degrees Fahrenheit and the nighttime temp dipped into the low 40s. I wore long sleeves all day, and sometimes a sweater. Yesterday the high was over 80, and today promises to be at least that. (Update, it got up to 93 in town today!) But as usual, of those two weather patterns, the festival happens to fall on the warmer day. Or should I say the warmer day happens to fall on the festival day — the festival was planned well in advance.

Because of the heat and the larger size of the crowd later in the day, and some combination of those factors that seems to make everyone tired and cranky by afternoon, the feeling of the late day crowd changes in a way that becomes distinctly unpleasant for me. So if I don’t go early, I’m not likely to go at all. In fact, I’d just as soon the booths opened at six in the morning rather than nine.

What bothers me about the festival is now fairly universal, I suspect, to local festivals and fairs all over the country. There are very few locals selling handcrafts and artwork anymore. Many of the vendors that sell non-food and non-produce items — and some of the food vendors as well — have traveled from other places. Some of them make the rounds of, possibly, every local festival and county fair in the state, and maybe more than one state. Some are from industry, manufacturers’ representatives selling things like secure mailboxes and automatic sprinkler systems, the sorts of things you expect at home shows and trade fairs, not unique to an Avocado Festival. Some are selling manufactured clothing and home decoration items that I can buy at a department store or a swap meet. The traveling vendors have always been around, but lately they seem to be the only ones. Where are the locals? To me this trend of increasing numbers of non-local vendors is like finding the same chain restaurants everywhere you travel. That used to disappoint me when traveling on business. If there’s any perk to having to take business trips, it’s discovering local eateries that are unique to the city you’re visiting. But if you travel to another place only to eat at Outback or Chilis, you might as well have stayed home. Why go to the local festival to buy the same items that will be sold at the county fair two months from now? More importantly, why go to find items you can buy at the department or hardware store? The point of a local festival, I thought, was to find things that can be found in only one place, to celebrate that location’s unique qualities and products.

I’m glad that we still have some local businesses that sell food and a few other items there. In the years I attend, if I go early, I can pick and choose which places to visit, and I usually enjoy myself. But I miss the kinds of things we used to see more of and that I always loved festivals and fairs for: handcrafts, local artists’ work, and those really unique and unusual items that once were only found at local fairs. They seem be rare these days, almost extinct.

I’m sure there’s a reason for this. Perhaps it has to do with the process of arranging to sell at one of these events, that it’s become so business-oriented that it shuts out local artists and craftspeople. Perhaps people don’t have time anymore to make things themselves and arrange to sell them locally unless that’s their full time business. If it is their full time business, they likely have to travel from fair to fair to make it pay off year-round.

We see some of those traveling vendors selling beautiful things, like handmade herbal soaps, stunning hand-carved gourd art, and some unique pottery. It’s great stuff, and I’m glad it’s there. But, whatever the reason it’s not there, I still find the lack of local handcrafts and artwork at these events sad. I know some of the vendors hate it when I ask, “Are you from around here?” But I continue to ask. It doesn’t mean that I won’t buy what they’re selling, if I love it and can afford it. But I can’t help being more enthusiastic about finding local goods that I love at our local festival.

The only other rant I have is, where are the hats? This is the time of year our warm weather sets in. In the past I’ve arrived at the festival only to wish I’d brought a hat. I can’t be the only one. There used to be hats for sale all over the place there. I usually bought my hat there to use for yard work or walking around in the sun for any reason, because it was the right time of year and they had a nice selection for good prices. Last year I hardly saw any hats. Maybe they were there and so few that I never came across them. I hope at least the hats were back this year.

Last year, too few local handcrafts, too few hats. This year I’m not going to the festival. Can anyone connect the dots?

Maybe the real problem is that I’m not like other people who attend. Maybe most people prefer mass-manufactured, universally available things. Who knew that would become the major draw of a local festival? Maybe it’s just me.

In any case, I’m happy for the strawberries and avocados. It’s a good day.

It doesn’t seem possible that we can already be one month and six days into 2009. I’ve been posting so infrequently that the blog barely has a pulse. But it is alive I assure you. It’s just been sleeping, dreaming if you will.

It’s raining and stormy today and I’m grateful for that. I think this is only our fourth big rain of the season so far. My cat Tara had a bath a few days ago on a warm, sunny, dry day that got to 80 degrees and seems to have become typical weather this winter. At least it’s been easy on the heating bill. Not so easy on the water bill or my sinuses.

I’ve been away from blogs except to post my ramblings about Tarot at Spirit Blooms. I’ve worked off-line at my other computer on artwork, read or posted on a couple of favorite Internet forums (more than I should), and searched out alternatives on- and off-line to spending money that I don’t have on books that I dearly want. I started out reading about Carl Gustav Jung; now I’m reading the writings of Jung himself, beginning with his autobiography written late in life, Memories, Dreams, Reflections. Still deep in my J. R. R. Tolkien adventure, I recently finished reading The Annotated Hobbit, and now I’m savoring The Lord of the Rings. I’m a little shocked by how much watching the movies in the interim has botched my memory of the original story. Still they’re excellent movies. One should appreciate each on its own merits, the novel and the movies as separate creative entities. To do the written story complete justice there would’ve had to be nine or more movies instead of three. Not that I would complain, but not everyone is the Tolkien fiend that I am. Up ahead I plan to continue with The Silmarillion and The Children of Hurin. Perhaps others, who knows? I’m taking my time, reading mostly late in the evening before sleep, if I’m not too tired by then.

Eric Mayer mentioned, in his comment on my earlier post about rereading favorites, that he almost never rereads books. I’ve been the same way most of my adult life. I reread a lot when I was a teen and young adult, but at some point I realized there was plenty in print to read the first time around, and life was short. I felt that I’d miss out on too many other things if I spent my time rereading favorites.

I’ve changed my attitude about that again only recently. This has to do partly with some of the newer fiction that I’ve been dissatisfied with, partly with my budget, and partly with the tiny library here in town where the tastes of the librarians don’t seem to mesh with my own — or I’m just quirky in my reading tastes. I’m sure they have some Tolkien and maybe some Jung, but I’ve come to prefer to take my time and not feel constrained by a return date anyway. I tried writing reviews here for a while, and I found that if the book was a library book I had to return it too quickly, and if I tried to write a review after that, I kept wanting to refer to the book. If I like it, I want it to stay around for a while. I also tried our library’s on-line interconnection with an ebook download system, but that didn’t work for me. Old computer or aging human brain inside user? Either way it didn’t work and I didn’t want to waste time fussing with it. I wanted to read the book. You know, just open a cover and start reading. If something is going to slow me down I want it to be the savor of words.

That brings me to the fourth reason I’ve gotten back into rereading. Mostly it has to do with wanting to read slowly. I’ve given up on reading everything out there. I’ve finally accepted that’s impossible. I’ve decided to hone down my reading list and read what I love — slowly, and as many times as I want.

When I reread an old favorite I don’t have to be in such a hurry to get to the end. I already know how it ends. There is something to the first bloom of a new story, that first time through when it’s a path of discovery, recognition, and suspense. But this time I can pause and enjoy the language along the way, let the suspense build again slowly. My old favorites have language worth pausing for. The more commercial books today tend to be heavy on suspense and bizarre plots and twists, while they seem too often short on the kind of writing I savor. Many feel to me as if they’re written in too much of a hurry, or as if the writer didn’t even like the story he was writing. The secret to great writing, I think, is for the writer to so love the story that he’s reluctant to leave it. Chances are the reader won’t want to leave it either.

But then I’m not a hurrier, never have been. I think it’s too easy to get into an “I’ll miss something if I slow down” mindset in our day and age, though it’s a valid concern to some degree. In the work world, one must hurry enough to show up when needed, and if one slows down one is in danger of not getting important work done, of missing opportunities, or of not being able to do one’s job anymore because one hasn’t kept up with hyperactive technology. There are sometimes valid reasons to hurry. I don’t want the emergency room team to dawdle, or firefighters to take their time arriving at a fire. For readers who want to keep up, there’s such a huge amount being published, in spite of aspiring writers’ concerns that no one is publishing what they write, that it’s easy to think one has no time to reread or to read slowly the first time. There are also such a great number of people who want to be writers that it doesn’t appear we’ll ever have a shortage of reading material, even very good reading material leaving out the bad. It’s a crowded world full of people with something to say, many of them excellent writers.

Still I think we miss out on too much by trying to do or read everything. I’m not well-read, mainly because I’m a slow reader. Maybe that’s why I appreciate books that take a long time to produce. I can sense the love and time that was put into them. I can linger, relish, and wonder why. I can spend a relatively equal time enjoying them, and feel gratitude that the authors took the time to do it right.

Tolkien took something like 13 years to write The Lord of the Rings between 1937 and 1949. He took longer, when one considers all the thought prior to beginning it that he put into creating the world of Middle-Earth, from the time he was a boy, and the time between 1949 and 1954 that he worked with his publisher to get everything just right. That time shows. And it’s not as if by taking that long he missed out on sales, which seem these days so unforgiving of anyone lagging behind. The only time any of his books went out of print was during Word War II and the after-war years, when paper was rationed in England. Oh, and there was the problem of some proofs being destroyed in a bombing or a fire (I don’t remember which) that caused further delay in getting one edition of The Hobbit back into print. Of course one important factor in his print longevity was in being Tolkien. There have been many imitators and, as Eric seemed to hint in his comment, most imitations have not held up very well. Time is, I think, one reason.

I’m certain that the biggest problems with many books is that they’re devised and written in too much of a hurry, and because they aren’t true to the writer’s own creative promptings. I can see some publisher urging a writer to create something like Tolkien wrote, but to do it right now. Imitation done in a hurry can rarely hold up to the proper process of creation. Sometimes, but not usually. Imitation as a whole is an iffy and questionable practice. Readers may say they want another story like The Lord of the Rings, but they’re not saying they want an imitation. They want more Tolkien, and that’s simply the best possible compliment to the original creator, not to any would-be imitator. Perhaps we sometimes, as readers, make the mistake of confusing the two ideas ourselves and go looking for another Tolkien when we should be looking for something else that’s new and fresh, and over which someone labored long and lovingly.

It’s been said that most of a writer’s work doesn’t take place at the typewriter or keyboard, or even necessarily with paper in hand. It happens inside the mind of the writer. I personally think every writer’s workspace needs a comfy couch, or a bed, and a window with a view of a natural setting or garden, as well as an immense library. I also think it’s safe to say that most great fiction writers have lived what they write. By that I don’t mean they’ve experienced it in physical reality. I mean they have a fertile and active imagination, an ability to visualize the experiences they haven’t actually lived. A relentless imagination at that. We use our imaginations to read, but the writer uses his imagination far more, over and over again, actively reliving the scenes he writes in his mind, working them out until they feel right, until he’s ready to translate them into written language. They get to know their own unconscious realms and facets of their own characters, as well as the archetypes of the collective unconscious, even more than we do ordinarily when we dream at night.

Now I know that some writers create at the keyboard on the fly. I’ve done that too. But the stories I’ve written that I felt best about were usually those that I had in mind for a long time before I dared to put any words down. They were an integrated collection of many things that occurred to me, including some fantasies, day dreams, things I wondered about, and even whole scenes, characters, or settings that occupied my mind well before I realized they’d formed anything close to a story worth sharing or writing down. Some were ideas I couldn’t put away because they begged to be told.

Fast writing may be part of the problem. I once rewrote a novel (Snow Angels) in the course of a few weeks, retyped the whole thing from scratch, from my head. But that story had been in my mind for a long time, in various forms, and even on paper in a few forms, before I did that. I’ve never taken part in NaNoWriMo, but I think it is possible for it to produce something of value, provided there’s something already percolating in the writer’s mind before they begin, perhaps for years before they begin typing it out. I’ve done fast writing exercises, and I know they have their value. But I wonder if the trend in fast writing is the reason so many new books I read leave me flat these days.

There is fast writing that’s great, and there have been many great prolific writers. But if we make the mistake of thinking their greatness lay in their proliferation, we do them a disservice. The secret to great writing also doesn’t lie in taking forever to produce something. I’m sure there are plenty of slowly written pieces of rubbish passing for fiction. But prolific writers are the exceptions to the slow writing rule, I think, and like Mozart’s music, great fast writing is great for other reasons than its speed of production or lack of revision. Of course everyone should write at their own speed, but fast writing of a single draft usually requires slow thinking up front, and long, slow revisions afterward. If one doesn’t take the time to do it right, to follow through, to consider it worth some effort, then even that smaller portion of fast writing time is wasted, not to mention the time anyone else takes to read the result. If it’s not worth spending lots of time writing, then maybe it’s not worth reading either.

In spite of how long Tolkien’s work has remained in print, it’s still possible that work of this kind is best done for oneself, with any idea or intent of publishing as a mere afterthought. One should, after all, consider oneself worth writing well and respectfully for. From what I understand of Tolkien, he only shared what he created with a few colleagues, friends, and his children, until the friend of a friend mentioned the possibility of publishing The Hobbit. Maybe that’s why it’s so good. He took time to shape and polish it to be what he wanted for himself and those he loved. Only after that did he shape and polish it for publication. Surely that provided him a great deal of satisfaction in what he wrote, regardless of whether strangers in his own land or across the pond liked it later on. He was also a real-life expert regarding myths of a world similar to the one he created and regarding the language he used to create it. But was he an expert who happened to come up with a story he was best suited to write, or was he a writer in the making, even as a child, who lived in his head creating a world first and who worked all his life to become expert at just what he needed to recreate that world on paper? Either way, he took his loving time about it, and that’s a good thing for all of us. After all, what’s the rush?

We’d seen it before, many weeks ago. A big bird of prey with black and white bands on its tail. The rest of it was paler than a Red-tailed Hawk, but we only caught glimpses of it flying over, and not a long enough look to identify it. We thought it was stalking the ground squirrel that moved in last summer. Maybe it was, because the ground squirrel hasn’t been around for a few days now.

Day before yesterday, we saw the big bird perch on top of the nearby telephone pole, and we got binoculars out for a really good look. Its breast, the undersides of it wings, and its beak are indeed paler than a Red-tailed Hawk’s. Its breast is almost pinkish or strawberry blond.

It’s a Red-shouldered Hawk, which is apparently found all over the eastern part of the country and along the California coast. I’d never seen one here before, not close enough to identify anyway. Our dominant hawk is the Red-tailed.

I wonder how long it’s been here, because last summer we watched what we think was a clutch of young hawks taking their first flight from a neighbor’s palm tree. Maybe this is one of the parents, back again to nest in the same tree. Or looking for the squirrel, or more squirrels. Poor squirrel, if so.

Our local birds continue to intrigue me with their variety and number. I’ve read, in a Harvard study, that this area is one of the most biologically diverse in the continental US, and that doesn’t surprise me, just basing my opinion on the birds.

I saw lots of owls from the road, when I used to leave for work while it was still dark. I’ve seen plenty of Black Phoebes here the past few weeks. I can’t seem to walk outside without spotting one of them. We have what I think may be Purple Finches, a variation from the House Finches we knew in San Diego, though I’m not certain. Some kind of small woodpecker likes the neighbor’s palm tree. We even have a small flock of feral parrots in the neighborhood, though I haven’t seen or heard them yet this year.

I’ve also seen lots of Mourning Doves, all my life, as I’m sure most people in North America have who pay any attention to wild birds. I’ve heard their mournful song since I was a girl and learned to recognize it. But this morning I heard a dove that sounded different, so I looked out the back window and saw a Ringneck Dove, also known as a Ringed Turtle Dove, under our pine trees. These doves aren’t natives. In fact they’re supposed to have been domestic for the past 3,000 years or so. But I suppose quite a few may have escaped into the wild at one time or another.

I just heard it again, out there, hiding in the pines and cooing, reminding me to post this. I wonder if it’s moved in to nest. If so, I guess it had better watch out for the Red-shouldered Hawk.

Gloria Steinem: In Defense of the ‘Chick Flick’:

“I propose, as the opposite of “chick flick,” films called “prick flicks.” Not only will it serve film critics well, but its variants will add to the literary lexicon.” (read article)

Maybe the term “prick” is too strong. It’s not the word I would’ve chosen, yet it answers the fact that a lot of women are put off by the tone and expression, if not the word, used when we hear the term “chick flick.”

Steinem’s editorial reminds me of something that occurred in a “Modern Fantasy” literature class I took, back in the seventies, when Mary Stewart’s first two Merlin and Arthur novels, The Crystal Cave and The Hollow Hills, were recent bestsellers. One of the young men in the class was so taken with them, he asked what other books Mary Stewart had written. I told him she’d written mostly romantic suspense in the past. I had an entire collection of her books at home, older hardcover editions gleaned from thrift store shelves. I thought when he expressed an interest that here was another new fan. But when the young man heard the word “romantic,” he took on a look of utter distaste and lost interest.

Some female mystery novelists still publish today using their first and middle initials rather than their full first names, in order to stretch past that still-existent gender barrier in many male readers’ minds, a practice reminiscent of the Brontës publishing under masculine names. One would’ve hoped that by the time this century rolled around we’d have advanced further. I don’t have statistics on this, but I’ll hazard a guess that there are more women who read and write fiction containing a predominately masculine point of view than there are men who read or write fiction containing a predominately feminine point of view.

Yet I know women, myself included, who enjoy a good action film, of the type once considered a favorite of men. Why is it that women, both in their reading and writing, as well as in movie preferences, might more readily cross old gender barriers?

Mind you, many men do take an equal interest in less violent or less action-oriented movies and books, and I admire men who are open to genres and interests considered historically feminine. I also admire women who open up more to interests previously considered masculine. More women today are sports fans than ever before, and don’t restrict their interests, as I do, to figure skating. My lack of interest is mostly due to bad experiences in physical education classes — I was that awkward, non-athletic kid always picked last for the team. It has nothing to do with my admiration of any outstanding achievement, physical or otherwise, and I enjoy watching good sports-related movies.

What is it that continues to keep some men from enjoying what they term as “chick flicks?” Is it that they truly don’t enjoy more thoughtful, slower-moving, or less action-oriented stories, once they give them a chance? Or is there another reason? Is it adrenaline addiction? (Understandable, among men and women, in today’s world, though perhaps best not encouraged.) Is it fear of what their friends will think? I’m trying not to make assumptions here. I’d really like to know, especially as a female writer trying to sell my fiction.

We all have types of stories we don’t like, or even parts of movies we like that we could do without. I personally back away from anything about child abductions, gangster movies that are overly violent onscreen, comedies that resort to tasteless bathroom humor (bathrooms have doors for a reason), and horror with too much blood and gore added for shock value. As far as I’m concerned, vomit and excrement belong off-screen. There’s enough of them in real life, and they’re not entertaining. They’re certainly not the kind of realism I’m looking for in a story.

I can understand someone not liking romance, even though I usually enjoy it provided it’s not overly sappy. But no one’s personal preference for certain types of stories and not others explains why we need the term “chick flick,” and especially not why it so often seems to be used as a derogatory term. Do the men who don’t like “chick flicks” prefer movies with only men? Is that what it boils down to?

I’m reminded of a line from Frank Herbert’s Dune regarding taking the “waters of life.” It mentions the place in their minds the Bene Gesserit mother superiors (women) fear to go, a place they believe only the fabled Kwisatz Haderach (a man) can access. The Kwisatz Haderach, once he accesses that place, becomes a superior being destined to lead his people to freedom. I wonder about the allegory Herbert intended, if any. Is there a place like that inside the female psyche, where some of the toughest men fear to go? Is that what they fear about “chick flicks?” Will they gain power if they find a way to access that, or will they lose power, possibly even die, as many men did who attempted to become the Kwisatz Haderach? Or will they simply gain a broader understanding of life and the world around them? In that case, maybe it’s worth a shot.

Gloria Steinem makes an interesting observation about power, and about nouns and adjectives in labels:

“Just as there are “novelists” and then “women novelists,” there are “movies” and then “chick flicks.” Whoever is in power takes over the noun — and the norm — while the less powerful get an adjective. Thus, we read about “African American doctors” but not “European American doctors,” “Hispanic leaders” but not “Anglo leaders,” “gay soldiers” but not “heterosexual soldiers,” and so on.” (read article)

I decided to answer your comments in a new post, since some of my responses are lengthy. You’ve given me a lot to think about and helped me reconsider my feelings about critiques. Even though I disagree with some points, as they relate to my writing at this time, you all shared wisdom that deserves attention. (more…)

Has it been more than a week already since I posted? I lost track of time during my panic of the past few days. The other night, after a glitch occurred when I ran my backup program, I thought I’d lost all my files for my current book in progress. Panic ensued, while I scrambled to find and undelete the files. I spent almost 24 hours straight on that, with little sleep, piecing together fragmented files, hoping I still had a complete book there. Finally I came across the directory on the backup computer where my backup program had stored a complete second archive of everything — perfectly intact and up to date, including every last minute of my work on the book.

All that panic because I was too dumb to know my backup program stored an archive of deleted files, and because I had allowed too much other garbage to backlog on my hard drive. (The glitch occurred when that particular hard drive filled up.)

I could sit here and ask why me, or rather ask why I do this to myself, but I’m too busy getting back to normal and on with work. Still, it seems that I go through this sort of panic on a regular basis. It happened two years ago when my old laptop gave out and I lost work that I hadn’t yet backed up. This time it resulted from the backup process itself.

Once I’m finished with this book and it’s off getting a look by some agents, I plan to spend a few weeks getting my life in better order, including both paper and digital files, to prevent future panic episodes.

But one thing I noticed during all of this was that I don’t tend to print out what I’ve written as often as I used to. In spite of what might’ve been lost, overall I consider that a good thing, a good sign that I’m making my personal transition from paper to a digital world.

I admit to some affection for the paper world. It’s what I grew up with, and where I found my love of books and the written word. There is still something sensual to me about the feeling of pen and paper or a book in my hands. I like the shape of the book, the weight of it, the toothy or smooth texture of paper, even the smell of ink, paper, and binding materials. I still recall with nostalgia the particular smell of the book I was handed in third or fourth grade when we studied the culture and geography of Japan. Ever since, I’ve looked for similar qualities each time I open a new book. All these things make letting go of the paper world a clingy process.

At the same time, I love trees. Because of that, I’ve always been troubled that my chosen form of expression — writing — has a history of felling so many trees. So when I went through my computer files and some paper files over the past few days, I was pleased to realize that I recently have less tendency to print as I write. I used to feel a need to print out what I’d written more frequently, to edit or proofread on paper rather than onscreen, or just to get a sense of what the printed story would look like.

Maybe it’s so many years of writing on a computer that’s changed this. Maybe it’s the laptop’s portability and reduced glare being easier on my eyes. Maybe it’s no longer having a job that requires me to stare at a screen all day and then do the same all my evenings and weekends for my fiction writing.

Maybe it’s blogging. The immediacy of blogging tends to encourage me to edit onscreen. My blog is even set up now so I can view what I write in two or three different fonts before I post it, which I think aids the onscreen editing and proofreading process.

Maybe it’s a combination of all those factors. It’s interesting to note that more publishing venues have opened up to electronic submissions just since the CRT monitor has begun to vanish. Hopefully the less glaring monitors that are replacing them will be much easier on all our eyes, and continue to save more trees.

I still write a good half of my personal journal pages by hand, and I still use handwriting to jump-start or unblock my writing process. This blog post is in fact a segue from my morning pages. But my journal pages don’t get reproduced, except by typing them into a digital format, and they’re unlikely ever to be published in book form. The paper is eventually recycled if they do become digital, so I’m not as concerned about my journal pages killing trees. At least that’s what I like to tell myself.

Now if we can get the ebook technology to the point where fewer paper books have to be printed, at least for popular fiction, then we’ll have made real progress in taking publishing from deforestation for profit to a more pure form of edification, expression, and entertainment. Of course there will always be uses for paper. I can’t think of a better way to keep certain legal documents or accounting records, right now, though that’s not a world I work or have much expertise in. There are also some types of books that just work better, for now, on paper. One that comes to mind is the coffee table variety, with color plates of artwork or photography. But the less trees cut down for paper and books, the better.

Even if what this Guardian Unlimited article says is true, that planting more trees in temperate latitudes won’t help assuage global warming, it also states that destroying more trees isn’t the answer, that the greater need, and indeed our motivation for attempting to slow global warming, is to preserve ecosystems, including but certainly not limited to our own.

Perhaps my panic over my files had some value. It got me not only to change what I file away on my computer and how I back it up, but also to take a hard look at how I use paper, to keep heading along the road I’ve started down, of conserving wherever it’s reasonable, and wherever I can.

Less turns out to be a good thing at times in today’s corporatist economic and political scene, and especially in the publishing arena, where seven very big fish own almost everything, having devoured nearly every other fish in the water. (more…)

I’ve had this image in my mind for the past two weeks. It was a Friday, and the wind gusted harder as the day progressed, which tends to make us all nervous, especially the dog. The dry weather alone was good for a little shock now and then, with the static buildup that makes a spark jump between one’s finger and any metal object, or even the cat’s tail. These twisting gusts stirred things up in occasional egg-beater bursts. At one point we heard something fall on the roof with a swoosh, and seconds later something else, so we went outside, and found a few dead palm fronds on the driveway. Presumably there were two more on the roof.

The uphill neighbor has a palm tree that stands 75 to 100 feet tall and hadn’t been trimmed, maybe ever, or at least not since it reached a height beyond what could be managed with the average household ladder. Its trunk was a shaggy column of dead fronds, attractive to nesting birds every spring. On the downhill side, a new owner has been renovating. He’s had people working every day for the past three months. That morning they’d poured a new driveway.

We didn’t think much of the fallen fronds, just that the wind was unusual, tearing at things that had hung around undisturbed for so long. It didn’t appear to be a great day to finish new concrete, with debris blowing everywhere, so we sympathized with the workmen. Back inside the house, we heard more sounds, and the gusts grew more frequent. Minutes later we heard a different sounding crash and returned outside. Even more palm fronds littered the driveway, one on the hood of the car, which must have made the new sound, another hanging from a power line that leads from the street to the house. (more…)

It wasn’t exactly sunrise, but the sun’s debut for the day.

After a soft, steady rain all night and continuing into this morning, I got up to raise the heater setting and found the dog curled in a tight ball in the back corner of his bed. He didn’t stay outside very long either. We are all wusses here in So. Calif. when the temperature dips. It dipped to 35 or so degrees F last night, outdoors.

When the sun first peeked through the clouds in the east, rain continued to fall, and the sun outlined everything in sight with silver. I’m sure there was a rainbow. I couldn’t see it from my window. The world was brilliant, shiny, a jewel, in those few minutes. Of course it’s always a jewel. We just tend to let our view of it get dusty.