No, you haven’t landed on the wrong blog. Though I usually only post about Tarot on my other blog, Spirit Blooms, in honor of World Tarot Day, I’d like to share my love of Tarot a bit more broadly, and also to honor some of the people of Tarot, including writers and artists that I think are rather special. So here it is, more than you ever thought you wanted to know about Tarot. At the same time I hope to dispel some misconceptions.

By the way, I understand that today is also World Towel Day for Arthur Dent fans (The Hitchhiker’s Guide to the Galaxy).

Tarot Writers and Artists
First, I want to introduce you to the blogs of two women and one man who’ve contributed a great deal to the study of Tarot, for me personally and for a lot of others. Mary K. Greer is the author of Tarot For Your Self and The Complete Book of Tarot Reversals, along with many other insightful books on Tarot. Rachel Pollack is an award-winning novelist as well as author of numerous books on Tarot and the Kabbalah, including Seventy-Eight Degrees of Wisdom, The Forest of Souls, and a pair of detailed companion books for the Haindl Tarot created by Hermann Haindl. Ms. Pollack also created the Shining Tribe Tarot.

In addition to those who write books about Tarot are a number of people who write articles, publish newsletters, review Tarot decks and books, and operate online forums. Then there are the deck creators who continue to color the lives of Tarot lovers with new and fascinating decks, beautiful images, and deep symbolism. James Wanless, Ph.D., or Captain Pick A Card (notice I’m linking to two different blogs here), is the creator of the Voyager Tarot, which is the first Tarot I owned and learned with, back in the late 80s. It’s a photo collage deck, and it still resonates for me in its beauty and usefulness.

Some of the most innovative modern Tarot decks include Mark McElroy’s Bright Idea Deck, and Emily Carding’s Transparent Tarot. While my preference is for a more traditional look and feel to Tarot, it’s decks like these that bring Tarot to people who never considered it before, and have helped carry it into the 21st century.

Sometimes an established artist decides to create a Tarot deck. Hermann Haindl is a great example of an artist who is also knowledgeable about Tarot, and I find his Haindl Tarot to be phenomenal. Artist decks are sometimes disappointments, either because the artists haven’t studied Tarot in depth, don’t have the right feeling for it, or because some aspect we expect of Tarot is missing. It’s not enough for a Tarot to just have pretty pictures or a novel theme. The best art-based decks are fabulous for reading, as is Elisabetta Trevisan’s deck, the Crystal Tarots.

History and Structure
Tarot is a centuries old phenomenon, the earliest European decks having appeared by the 15th century. No one really knows its origin, or its original purpose, but we know that it’s been used both as a deck of playing cards and as a system of divination for hundreds of years. It’s the precursor to our standard modern playing cards.

A Tarot deck is defined primarily by its structure. The deck typically contains 78 cards and includes two parts, a Major Arcana and a Minor Arcana. The Major Arcana contains 22 archetypal images, or Trumps, and the Minor Arcana is more like a deck of ordinary playing cards, with four suits of numbered and Court cards. Whereas a deck of playing cards includes only three face cards in each suit, a Tarot deck has four Courts, traditionally titled Page or Knave (the Jack in a playing card deck), Knight, Queen, and King. The Joker in modern playing cards is derived from the Fool archetype in the Tarot’s Major Arcana.

Three styles of Tarot decks have developed in modern times. Some use only pip cards, with non-scenic illustrations of the given number of suit elements for the numbered Minor Arcana. Others contain scenic illustrations in the Minors, which many people find richer in symbolism and easier to use in readings.

But enough of the technical details and history. I’m positive that if you’re interested in learning more, you’ll find plenty to intrigue you with a simple online search. For more about Tarot history, check out Trionfi.com or Tarotpedia. You can also learn about the history of specific decks at Wikipedia, such as the Rider-Waite-Smith Tarot and the much more ancient Tarot de Marseille.

The Art of Tarot
The draw for many people who love Tarot is the artwork. Some collectors don’t read with the cards at all. I won’t post any images here, for reasons of copyright. But I’ll provide a link or two to get you started at sites where samples of both ancient and modern decks can be viewed.

Golden Tarot by Kat Black (Use links at left to view the Majors, Coins, Cups, Swords, Wands.)

Tarot of Transformation by Jasmin Cori and Willow Arlenea is “an innovative deck by two psychotherapists offering an integrated and embodied spirituality.”

If you want to spend about two full days browsing samples of Tarot decks, you might want to try Aeclectic Tarot. This site also links to the Aeclectic Tarot Forum, one of the biggest and best places on the Internet to learn about and discuss Tarot, thanks to its most generous hostess, Solandia.

Last but not least, the German site Albideuter.de
compares the same cards from a staggering number of different Tarot decks.

Uses of Tarot
Tarot is most useful for gaining valuable insight into our lives, which is something that can’t be measured except through the experiences of those who use it or benefit from it. I don’t typically set out to use Tarot to predict the future, though there are times when it does that anyway, a mystery I won’t go into here in any depth, because frankly I can’t explain it. If someone is interested in how Tarot might do that, or how any kind of psychic ability or extra-sensory perception works, there are many theories, ranging from spiritual beliefs to quantum physics, and there are scientific studies going on all the time. Carl Jung experienced events that he classified as ESP, and as a scientist he thought the subject deserved further study. He also coined the term Synchronicity, or “meaningful coincidence,” which is what a lot of students of Tarot, including me, tend to think is at least partially behind how Tarot works.

If you’re interested in following some of the latest research into psychic and other related phenomena, you might want to check out these links:

Institute of Noetic Sciences
American Society for Psychical Research
Consciousness Research Laboratory
The Veritas Research Project, University of Arizona

I find that my personal use of Tarot helps me most with insight, helping me to understand what’s going on in my life — especially inside my own psyche. It sometimes helps me make decisions by pointing out options or perspectives that I hadn’t thought of on my own, and it helps me by pointing out where I have either deluded myself about something or I have a lot of unconscious stuff going on that I need to be more aware of. I’ve also at times used it as a tool for meditation. Some psychologists and therapists use Tarot in their practices to help clients understand their projections, archetypes at work in their lives, and other unconscious issues. Sometimes an image is much better than words at bringing unconscious material into the open or into greater clarity. Tarot could be compared to dreams in its symbolism, and to literature in how it provides a metaphor for typical situations and processes that all humans experience.

I’ve used Tarot to spark my creativity, either to inspire the topic of an essay or to help me work out plotting puzzles in my fiction. The solution to the mystery in Snow Angels came almost entirely from a series of Tarot readings. I’ve read of other Tarot users who also find Tarot helpful in their creative work.

Additionally, Tarot is used, mostly in Europe, to play a card game known as Tarock, Trionfi, or Tarocchi (more instructions here). I’ve never played this game, and the instructions look complex to me. (I grew up playing Canasta and Cribbage.) My understanding is that it’s something like Bridge.

I discovered my love of Tarot more than 20 years ago, and to this day it remains my favorite mystery.

Happy World Tarot Day!

I’ve been in a horribly bad mood, mainly due to family troubles of the kind that make me feel helpless and small — the news of the death of my oldest brother, and my dad’s loss of independence due to a stroke. I’ve also had some just silly bad luck at home, little things like stubbing a toe so hard a few days ago that I worried it was broken (it’s still sore), straining my back lifting a bag of cat litter yesterday, frustration over the economic crunch that everyone is feeling, when I really could use a newer more reliable car. Why is it that bad news and events seem to come in these overwhelming groupings that feel as if they’ll never end — or, if that isn’t what’s happening, why is it that my mind seems to make even the small problems feel big, once it starts on a downward spiral?

Today I knew I needed to crawl out of this hole I found myself in. I’ve been avoiding the news, because that usually just makes me feel worse, and worse was definitely not what I needed. I know some people think that’s an unrealistic attitude, but I find the news unrealistic, in its focus on everything bad and very little good except nonsensical news about the personal lives of celebrities — people who would likely just as soon be left alone when it comes to personal matters.

I decided to search for some positive news on the Internet, and I found this story on a blog called Great Pet Net that I thought I should share in case anyone else could use a lift: Jasmine the Mother Theresa Greyhound. Dogs tend to have a healing way about them, all around, in my opinion. But this one is exceptional. She certainly had a distant healing effect on me.

It’s a beautiful spring day here. Flowers are blooming, in spite of the gopher that keeps eating them. (Our gopher loves California poppies and nasturtiums. What does yours like?) The The Hooded Orioles arrived early from Mexico, and one almost flew right into me yesterday, maybe because I was wearing green and blended with the plants. Later I watched three Red-tailed Hawks circle the sky above our house. Clouds sail across the sky today in a stiff, delicious ocean breeze. My cat Tara is always up for a game of chase or a tumble with toys. Someone I care about is playing Bach on the piano in the next room.

Yesterday I spotted a long, sinuous cloud in the western sky that looked like a Japanese dragon. I didn’t get a picture, but if you’re familiar with the animated film, Spirited Away, it looked a lot like Haku in his natural form as a river spirit.

Now that I’ve set my mind back in its more customary direction, at least for the moment, good things are beginning to happen inside me again, too.

Every now and then I find it necessary to keep a gratitude journal, to find at least three things each day that I’m grateful for to write about. I think I’ll take up that practice again for a while.

Eric Mayer at Byzantine Blog has honored me with the Premio Dardos Award. Eric is author, with his wife Mary Reed, of the John the Lord Chamberlain Mystery Series set in the Byzantine Empire of the 6th century.

Now don’t be too impressed with me, because I keep trying to type the award name as “Permio” today. I’m not sure whether I should get to keep an award I can’t spell. I’ll try to be more worthy and at least post a blog entry now and then. In any case I’m grateful to Eric for thinking of me.

Premio Dardos means “prize darts” in Italian and is awarded for recognition of cultural, ethical, literary and personal values in the form of creative and original writing. The rules are:

1. Accept the award by pasting the graphic on your blog along with the name of the person who granted the award and a link to his/her blog.
2. Pass the award to another 15 blogs that are worthy of acknowledgment, remembering to contact each so they know they have been selected.

I’m fudging on the rules a little. I’m paring down my list to award three writers, poets, or artists who blog. All of them are one or the other, and two of them are all three — creative writer, artist, and poet. Don’t ask me why I separate out poet as if it’s not also a kind of creative writer, but poetry is near to my heart. Here’s my list of award recipients:

1. Bev Jackson at Jackson’s Actions
2. Catherine Kerr at Beyond the Fields We know
3. Susan Gibb at Spinning

It doesn’t seem possible that we can already be one month and six days into 2009. I’ve been posting so infrequently that the blog barely has a pulse. But it is alive I assure you. It’s just been sleeping, dreaming if you will.

It’s raining and stormy today and I’m grateful for that. I think this is only our fourth big rain of the season so far. My cat Tara had a bath a few days ago on a warm, sunny, dry day that got to 80 degrees and seems to have become typical weather this winter. At least it’s been easy on the heating bill. Not so easy on the water bill or my sinuses.

I’ve been away from blogs except to post my ramblings about Tarot at Spirit Blooms. I’ve worked off-line at my other computer on artwork, read or posted on a couple of favorite Internet forums (more than I should), and searched out alternatives on- and off-line to spending money that I don’t have on books that I dearly want. I started out reading about Carl Gustav Jung; now I’m reading the writings of Jung himself, beginning with his autobiography written late in life, Memories, Dreams, Reflections. Still deep in my J. R. R. Tolkien adventure, I recently finished reading The Annotated Hobbit, and now I’m savoring The Lord of the Rings. I’m a little shocked by how much watching the movies in the interim has botched my memory of the original story. Still they’re excellent movies. One should appreciate each on its own merits, the novel and the movies as separate creative entities. To do the written story complete justice there would’ve had to be nine or more movies instead of three. Not that I would complain, but not everyone is the Tolkien fiend that I am. Up ahead I plan to continue with The Silmarillion and The Children of Hurin. Perhaps others, who knows? I’m taking my time, reading mostly late in the evening before sleep, if I’m not too tired by then.

Eric Mayer mentioned, in his comment on my earlier post about rereading favorites, that he almost never rereads books. I’ve been the same way most of my adult life. I reread a lot when I was a teen and young adult, but at some point I realized there was plenty in print to read the first time around, and life was short. I felt that I’d miss out on too many other things if I spent my time rereading favorites.

I’ve changed my attitude about that again only recently. This has to do partly with some of the newer fiction that I’ve been dissatisfied with, partly with my budget, and partly with the tiny library here in town where the tastes of the librarians don’t seem to mesh with my own — or I’m just quirky in my reading tastes. I’m sure they have some Tolkien and maybe some Jung, but I’ve come to prefer to take my time and not feel constrained by a return date anyway. I tried writing reviews here for a while, and I found that if the book was a library book I had to return it too quickly, and if I tried to write a review after that, I kept wanting to refer to the book. If I like it, I want it to stay around for a while. I also tried our library’s on-line interconnection with an ebook download system, but that didn’t work for me. Old computer or aging human brain inside user? Either way it didn’t work and I didn’t want to waste time fussing with it. I wanted to read the book. You know, just open a cover and start reading. If something is going to slow me down I want it to be the savor of words.

That brings me to the fourth reason I’ve gotten back into rereading. Mostly it has to do with wanting to read slowly. I’ve given up on reading everything out there. I’ve finally accepted that’s impossible. I’ve decided to hone down my reading list and read what I love — slowly, and as many times as I want.

When I reread an old favorite I don’t have to be in such a hurry to get to the end. I already know how it ends. There is something to the first bloom of a new story, that first time through when it’s a path of discovery, recognition, and suspense. But this time I can pause and enjoy the language along the way, let the suspense build again slowly. My old favorites have language worth pausing for. The more commercial books today tend to be heavy on suspense and bizarre plots and twists, while they seem too often short on the kind of writing I savor. Many feel to me as if they’re written in too much of a hurry, or as if the writer didn’t even like the story he was writing. The secret to great writing, I think, is for the writer to so love the story that he’s reluctant to leave it. Chances are the reader won’t want to leave it either.

But then I’m not a hurrier, never have been. I think it’s too easy to get into an “I’ll miss something if I slow down” mindset in our day and age, though it’s a valid concern to some degree. In the work world, one must hurry enough to show up when needed, and if one slows down one is in danger of not getting important work done, of missing opportunities, or of not being able to do one’s job anymore because one hasn’t kept up with hyperactive technology. There are sometimes valid reasons to hurry. I don’t want the emergency room team to dawdle, or firefighters to take their time arriving at a fire. For readers who want to keep up, there’s such a huge amount being published, in spite of aspiring writers’ concerns that no one is publishing what they write, that it’s easy to think one has no time to reread or to read slowly the first time. There are also such a great number of people who want to be writers that it doesn’t appear we’ll ever have a shortage of reading material, even very good reading material leaving out the bad. It’s a crowded world full of people with something to say, many of them excellent writers.

Still I think we miss out on too much by trying to do or read everything. I’m not well-read, mainly because I’m a slow reader. Maybe that’s why I appreciate books that take a long time to produce. I can sense the love and time that was put into them. I can linger, relish, and wonder why. I can spend a relatively equal time enjoying them, and feel gratitude that the authors took the time to do it right.

Tolkien took something like 13 years to write The Lord of the Rings between 1937 and 1949. He took longer, when one considers all the thought prior to beginning it that he put into creating the world of Middle-Earth, from the time he was a boy, and the time between 1949 and 1954 that he worked with his publisher to get everything just right. That time shows. And it’s not as if by taking that long he missed out on sales, which seem these days so unforgiving of anyone lagging behind. The only time any of his books went out of print was during Word War II and the after-war years, when paper was rationed in England. Oh, and there was the problem of some proofs being destroyed in a bombing or a fire (I don’t remember which) that caused further delay in getting one edition of The Hobbit back into print. Of course one important factor in his print longevity was in being Tolkien. There have been many imitators and, as Eric seemed to hint in his comment, most imitations have not held up very well. Time is, I think, one reason.

I’m certain that the biggest problems with many books is that they’re devised and written in too much of a hurry, and because they aren’t true to the writer’s own creative promptings. I can see some publisher urging a writer to create something like Tolkien wrote, but to do it right now. Imitation done in a hurry can rarely hold up to the proper process of creation. Sometimes, but not usually. Imitation as a whole is an iffy and questionable practice. Readers may say they want another story like The Lord of the Rings, but they’re not saying they want an imitation. They want more Tolkien, and that’s simply the best possible compliment to the original creator, not to any would-be imitator. Perhaps we sometimes, as readers, make the mistake of confusing the two ideas ourselves and go looking for another Tolkien when we should be looking for something else that’s new and fresh, and over which someone labored long and lovingly.

It’s been said that most of a writer’s work doesn’t take place at the typewriter or keyboard, or even necessarily with paper in hand. It happens inside the mind of the writer. I personally think every writer’s workspace needs a comfy couch, or a bed, and a window with a view of a natural setting or garden, as well as an immense library. I also think it’s safe to say that most great fiction writers have lived what they write. By that I don’t mean they’ve experienced it in physical reality. I mean they have a fertile and active imagination, an ability to visualize the experiences they haven’t actually lived. A relentless imagination at that. We use our imaginations to read, but the writer uses his imagination far more, over and over again, actively reliving the scenes he writes in his mind, working them out until they feel right, until he’s ready to translate them into written language. They get to know their own unconscious realms and facets of their own characters, as well as the archetypes of the collective unconscious, even more than we do ordinarily when we dream at night.

Now I know that some writers create at the keyboard on the fly. I’ve done that too. But the stories I’ve written that I felt best about were usually those that I had in mind for a long time before I dared to put any words down. They were an integrated collection of many things that occurred to me, including some fantasies, day dreams, things I wondered about, and even whole scenes, characters, or settings that occupied my mind well before I realized they’d formed anything close to a story worth sharing or writing down. Some were ideas I couldn’t put away because they begged to be told.

Fast writing may be part of the problem. I once rewrote a novel (Snow Angels) in the course of a few weeks, retyped the whole thing from scratch, from my head. But that story had been in my mind for a long time, in various forms, and even on paper in a few forms, before I did that. I’ve never taken part in NaNoWriMo, but I think it is possible for it to produce something of value, provided there’s something already percolating in the writer’s mind before they begin, perhaps for years before they begin typing it out. I’ve done fast writing exercises, and I know they have their value. But I wonder if the trend in fast writing is the reason so many new books I read leave me flat these days.

There is fast writing that’s great, and there have been many great prolific writers. But if we make the mistake of thinking their greatness lay in their proliferation, we do them a disservice. The secret to great writing also doesn’t lie in taking forever to produce something. I’m sure there are plenty of slowly written pieces of rubbish passing for fiction. But prolific writers are the exceptions to the slow writing rule, I think, and like Mozart’s music, great fast writing is great for other reasons than its speed of production or lack of revision. Of course everyone should write at their own speed, but fast writing of a single draft usually requires slow thinking up front, and long, slow revisions afterward. If one doesn’t take the time to do it right, to follow through, to consider it worth some effort, then even that smaller portion of fast writing time is wasted, not to mention the time anyone else takes to read the result. If it’s not worth spending lots of time writing, then maybe it’s not worth reading either.

In spite of how long Tolkien’s work has remained in print, it’s still possible that work of this kind is best done for oneself, with any idea or intent of publishing as a mere afterthought. One should, after all, consider oneself worth writing well and respectfully for. From what I understand of Tolkien, he only shared what he created with a few colleagues, friends, and his children, until the friend of a friend mentioned the possibility of publishing The Hobbit. Maybe that’s why it’s so good. He took time to shape and polish it to be what he wanted for himself and those he loved. Only after that did he shape and polish it for publication. Surely that provided him a great deal of satisfaction in what he wrote, regardless of whether strangers in his own land or across the pond liked it later on. He was also a real-life expert regarding myths of a world similar to the one he created and regarding the language he used to create it. But was he an expert who happened to come up with a story he was best suited to write, or was he a writer in the making, even as a child, who lived in his head creating a world first and who worked all his life to become expert at just what he needed to recreate that world on paper? Either way, he took his loving time about it, and that’s a good thing for all of us. After all, what’s the rush?

I’m rereading a favorite book in a new form, and watching some old TV shows I’d forgotten were so good, so it’s been a week of favorites for me and I thought I’d share.

I’m also a little desperate for something to blog about, and I must be growing jaded, because my favorites are old, and sadly far too few.

Favorite Books:

J.R.R. Tolkien’s The Hobbit and The Lord of the Rings. I’m currently reading The Annotated Hobbit, an edition annotated by Douglas A. Anderson. I’m loving it, though I think most of the annotations will be something to enjoy on my second reading of this edition. It’s been so long since I read the story, that I find myself just sticking to the story and not reading footnotes (marginal notes in this case). But I did read the introduction, and immersed myself in some fascinating biographical and publishing history. Now and then my gaze veers into the margins and my curiosity is piqued.

I decided to read this story again because I’ve read that Peter Jackson is finally involved in a film adaptation of it, which I’ve looked forward to ever since the LOTR trilogy that he produced and directed. This time I want to view the film adaptation fresh from the written story, rather than from the perspective of more than a decade of fogging over of my memory as I did with the trilogy. Which means I’m reading it now and likely will read it at least once more before the film is released.

I’m also rereading this, and plan to reread LOTR, because the film trilogy has become a mini-obsession of mine and yet every time I watch the movies I keep thinking how much I want to read the books again.

Tolkien is easily my most favorite author, ever. I’d be hard pressed to name a second favorite who comes anywhere close. Maybe it was his relationship to language, as a philologist. He also had a deep, abiding love of the fairy story and ancient poems and songs. (Many of his dwarves’ names are borrowed from the Elder Edda.) I like that he was unapologetic about his errors. He didn’t try to hide them and, if it made sense he fixed them in later editions. If fixing them didn’t make sense, he lived with them without shame or excuse. He was still a teen when he began to create his own language, that of the elves that he used in his stories, incorporated so elegantly into the film version of LOTR a few years ago. Tolkien wrote circles around anyone else, and almost singlehandedly invented the modern fantasy genre. He seems to have recalled something both childlike and ancient, and filled it with something else profoundly basic to humanity, all of which make him seem himself to have been a wizard — of storytelling. Stories are his version of Gandalf’s fireworks, and even of Gandalf’s defeat of the Balrog and death. Tolkien is pretty much at the top of the mountain and well beyond compare, in my opinion. All the rest, even my other favorite authors, are still down there in base camp, wondering about the weather up there on high. Keeping in mind that when climbing the highest mountains in the world, just getting to base camp is something, nothing to sneeze at. Most of my favorite books that even come close to Tolkien’s, though, are older, the authors also long dead.

This makes me wonder if we’re ripe for a literary renaissance. And when I say literary, I mean a STORY renaissance. Preparatory to that, if Tolkien’s work isn’t now required reading in school, I think it should be. I would love to see a new generation fall in love with language and with story.

Favorite TV series:

Star Trek The Next Generation. There’s no comparison, and even viewing old dilapidated recordings of it compares favorably, in fact stunningly so, to most of what I see on TV today.

I was saddened to hear of the death last month of Majel Barrett, and I felt as if her death marked the end of an era (started by her husband, Gene Roddenberry) in science fiction and in television.

While watching old Star Trek TNG episodes, I can’t believe how often I have to reach for tissues because a story line touched me deeply, or I’m still amused by the always tasteful humor some 20 years later, or I’m struck dumb by a profound insight or bit of ageless wisdom. At the same time it’s immensely entertaining, and frequently filled with suspense. There’s nothing like it.

I have a second favorite TV series — actually two sister ones: Stargate SG-1 and Stargate Atlantis. Still, Star Trek the Next Generation is another top of the mountain favorite that is difficult to compare to anything. Who knows, Tolkien himself might even have loved it.

I like The Closer, mainly because the female lead is a character, someone I can relate to. She’s over thirty and still attractive, but it’s not in-your-face plasticized starlet attractiveness. Kyra Sedgwick is beautiful in a way that goes beyond starlet appeal, and you get the impression this is a woman who’s actually honest-to-god aging and struggling to maintain, rather than magically stopping time until the powers that be disappear her from TV as soon as she shows signs of (horrors!) appearing to be over forty. She holds her own in a man’s world without needing to act like a tough chick. She’s spunky and vulnerable, and she doesn’t have to show us the inside of the body as the bullet passes through it for cheap thrills, or make us help examine the vomit under a microscope or eat bugs (honestly, some TV cannot be viewed while enjoying dinner), or be right there for the bloodiest new surgical procedure of the century, spurting arteries and all. I need some mystique left in my mysteries, some characters I can relate to, and not to feel as if I have to learn how not to be squeamish along with the interns in my medical shows. I also wonder why there are so interminably many “realistic” detective and medical shows. Isn’t there anything else to write about, guys? Is the sitcom dead? I guess so.

I like Ghost Whisperer, though I’ve discovered it only recently, so we’ll see how that works out.

I liked Dead Zone, until they killed off Walt the sheriff. I thought he provided an important obstacle between Johnny and his former love, Sarah. Conflict in the form of strong romantic and other obstacles is critical to good series fiction, even a paranormal series that has a new problem to solve each episode. Without the core conflicts and tension to fall back on, a series falls flat because no one seems to be trying very hard, day to day. They’re just biding time until the next psychic flash, murder, ghost, mystery disease, or demon appears. A good series has several backup sources of tension. In Star Trek TNG, nearly every character has a known source of personal conflict that’s always simmering just under the surface, and the series as a whole is full of those tensions sometimes rising, and frequently interacting with others’ conflicts. Killing Walt off, in The Dead Zone, was like letting Marshall Dillon marry Miss Kitty, or letting The Fugitive catch the one-armed man. You just don’t do that, until the very last episode ever. The End.

All that said, I would be hard pressed to come up with new series or episodes from season to season and week to week as the best TV writers do.

Maybe we need a television renaissance as well as a literary one.

Barring that, we may need to let all the Marshall Dillons marry all the Miss Kittys in a big Sun Myung Moon style wedding — and then give TV one big funeral service and be done with it. Most of the shows are so lame, and the commercial breaks are so long these days, that I frequently leave the room to finish the dishes, make a snack, or check my email, and then lose interest and forget to return to see how the show ends. They say there’s nothing new under the sun, and television, as a whole, seems to be trying awfully hard to prove it.

Do you have any new/old favorites to share? What entertains you these days?

We’re still in summer here, though we had a couple of days of delicious fall weather, and even a few drops of rain. But tomorrow is expected to hit the mid 90s again, and I’m tired of summer. Anyone need some warm air? Can I ship it to you by overnight express?

Oh well. Provided we don’t have wildfires like last October, I’ll be happy and relieved to just need to wear shorts a little longer.

I’m not sure what’s going on with my not blogging more. I hope you keep checking back in case I have a burst of inspiration. There just hasn’t been anything to post that seemed as if it would interest anyone else. Heck, some of it didn’t interest me.

I have been reading a lot that interests me, mostly nonfiction, and most of it of little general interest. I’m a bit eccentric in my tastes, I think. A few weeks ago I enjoyed an excellent book of slightly more general interest titled, Inner Work: Using Dreams and Active Imagination for Personal Growth by Jungian analyst Robert A. Johnson, on dream work and active imagination.

I’m sure I’ll get gabby again one of these days… Until then, take care.

Gone fishing reading.

Yesterday I killed the largest black widow spider I’ve ever seen. She was beautiful, but … she had to go.

Sorry to write such a Halloweenish blog so early. But the weather has been cool and cloudy here the past three days, making it possible for me to do a little gardening again, which makes me happy. I’m afraid in the hottest weeks of summer I don’t venture out much (or blog much, apparently), except to throw a little water on things to keep them from dying. Unfortunately weeds don’t seem to need much water to keep them from dying.

I don’t think I’ll ever be one of those people with a perfectly manicured and landscaped yard. But maybe this suits my personality better — you know, finding huge creepy spiders, growing a forest of weeds as prolifically as anything else, trying to figure out what to do with monster sized zucchini after zucchini, wishing a certain gopher would move elsewhere and that the neighborhood outdoor cats would stop killing my lizards and pooping in my flower bed. Story of my life. But it makes for more drama, perhaps, than a perfect yard.

Tara is growing up fast. She got spayed last week, which set her play time back some, a setback which had to be forced on her because she can’t seem to sit still for more than five minutes. People are such wusses after surgery, compared to pets. It makes one wonder why we’re the dominant species on the planet.

Now Tara’s making up for lost time!

My thoughts and prayers go out to those in Texas, where Hurricane Ike seems to be acting up much worse than my little terror of a kitten could dream of doing. I hope Ike doesn’t give her any fresh ideas.

Our summer weather has set in, likely until mid to late October, so I have to wake up early to get all my outdoor work done. I’m amazed how fast things can grow in the warm weather and get away from me — mostly things I don’t want to grow, like weeds.

My usual care to wear gloves when working in the yard had lapsed recently, but working outside earlier than usual this morning meant that I happened across two black widow spiders. One, on the lower rock wall, was attempting to kill a big iridescent green June Beetle, or what we call a June Beetle here, aka Fig Eater Beetle. The beetle was 10 to 15 times the spider’s size. Their struggle mesmerized me for a moment as I wondered who would win, the beetle snapping spider silk as quickly as it wrapped around it. It was the noise he made that drew my attention in the first place. I would’ve intervened, if I’d had something handy to kill the spider with, but the next time I walked past, the spider — hiding from me, no doubt — was nowhere to be seen and the beetle was bumbling away. I’ll be more careful to wear gloves and not work in flip-flops anymore, unless I’m only watering. Black widows usually hide from people, but I don’t want to surprise one.

My little friend Tara is growing fast. A kitten in the house means lots of interruptions to play, or to stop misbehavior in its tracks, or just to cuddle. I’ll try to post an updated photo later, but it might be a blur unless I catch her when she slows down to nap, bask in a sunny window, or watch TV. She’s now more than three times the size she was when I took these pictures, and darker since her kitten fluff has been replaced by a true dark tabby coat. She’s a Siamese mix, but you wouldn’t know that to look at her.

Tara watched Mikhail Baryshnikov dance, in an older video on the arts channel last night, and I think she decided he’s the most cat-like human she’s seen. I hope she doesn’t expect us to move like that! But maybe it’s good that she knows some humans are capable of it, just to help us keep the upper hand. Sometimes we call her Rocket Cat, and one day recently, as the dog and I watched in glazed over amazement while she raced around and up and down a room, I commented to him, “You know, cats can almost fly.” Indi seemed to agree.

I’m not really sure what all else keeps me busy, but there’s a lot of it, whatever it is. I don’t work in the garden enough to excuse not blogging, but I do spend some time finding things to do with the excess produce.

We’ve had loads of squash from just four plants, so far, some of it now in the freezer and some given away. We may need a bigger freezer if I keep gardening. One way that we like zucchini is simply sautéed in a little olive oil with basil, oregano, salt, and pepper. We’ve had some cucumbers, which I personally think would make a good breakfast food, because just one bite seems to wake me up with its fresh, clean crispness. The tomatoes got a late start (from seed), so we haven’t had any to eat yet, but they’re blooming and setting fruit, growing like mad in the heat. There’s a San Marzano Roma about the size of the end of my thumb that I predict will be the first to the table, unless that little cluster of marble sized cherry tomatoes beats it to perfect redness. With the salmonella scare still pretty much a mystery I’m looking forward, even more than I expected when I planted them, to fresh homegrown tomatoes.

Yesterday we discovered how well extra garden produce can pay off, when we gave a large zucchini to a neighbor boy to take home, and later his mom sent over four of the most perfect little quesadillas I’ve ever tasted. Oh. My. God. These were not the quesadillas you find in Mexican restaurants, or the floppy things we usually concoct with flour tortillas and cheddar cheese, in a skillet. Every part of hers was homemade, including flaky six-inch corn flour shells folded in half and crisped. They were filled with chicken, some kind of white cheese, possibly one of the Mexican cheeses described here, and fresh cabbage, and they came with a magical homemade chili sauce to pour over them. I am positive we got the better end of that exchange. You can’t get food like that in any restaurant, and I’m in heaven just remembering them. It’s odd how a really good hot sauce can actually cool you. As my mouth heated up, my body seemed to cool right off. Must’ve been all my pores and sinuses opening. It was positively delicious. Mmmmh!

A few days ago the New York Times ran a story headlined Gang Memoir, Turning Page, Is Pure Fiction, about Margaret Seltzer, alias Margaret B. Jones, and her memoir that wasn’t a memoir at all. She has admitted it was fiction. Today Alternet reports on yet another memoir writer who lied, in Literary Frauds Strike Again … and Again.

So, let’s see if I understand this. We’re supposed to sell our fiction as memoir now? Is that what I’ve been doing wrong? Is this what they mean by creative nonfiction? I’m confused.

I guess the little hand slap mainstream media gave James Frey, not to mention his second book contract, weren’t very good deterrents to the hot new trend in books — memoir fraud.

Readers expect a memoir to be true, if from a limited perspective of the writer’s personal experience and memory of events, which can of course be slightly skewed. We don’t all remember events that happened when we were growing up the same way our siblings or parents remember them. Obviously a lot of other nonfiction is opinion, or facts mingled with theories, presented from a single biased viewpoint. But a memoir isn’t supposed to be deliberately made up and then presented as the author’s own story. That’s called fiction.

These so-called memoir authors sold what they wrote as their own life stories, when they knew the stories either weren’t true or weren’t their experiences. They could’ve called their stories novels, or fictionalized accounts, but they didn’t. They called them memoirs. Some of them (Frey, at least) made a lot of money.

I don’t know about you, but when I spend hard-earned money on a book, my expectations are still pretty high. Those expectations are being fulfilled by books less and less often these days. I’m starting to think it’s no wonder people are reading fewer books, and I think the problem boils down to simple greed.

We all need to make a living. But most of us try to work hard and put in an honest effort at something for our living. We don’t resort to cheating, theft, fraud, and sloppy ethics. So who’s to blame here? Are these people just laughing at all us dummies who bother to actually be honest about our work? Laughing all the way to the bank?

The LA Times has published another opinion on why this type of thing happens in Why we fall for the fakes, an editorial that blames not just the writers, but the publishers, and finally the readers who keep purchasing these books.

What do readers think about this? If you pick up a memoir to read, do you want to know the person is at least attempting to be honest and accurate? Do you want to believe the publisher did their part in making sure they weren’t helping to perpetrate a fraud, or even instigating it? Do you think the writer is making a promise he or she is responsible to keep? Or when you pick up a memoir do you expect a certain amount of fiction?

What do you consider getting your money’s worth from a book? What are your expectations of authors and publishers as far as honesty? Are consumers partly to blame when we keep buying and don’t demand quality and integrity from the companies selling us products? Are we the readers to blame for books that fall below standards in either quality or integrity? Are we voting with our dollar for dishonesty? Or is that just an easy excuse for those who knowingly sell us shoddy or misrepresented products? Isn’t that blaming the victims, something like the purse snatcher saying, “Well she was just walking along the sidewalk. What was she doing there if she didn’t want it stolen?”

Perhaps most important of all, how does this make you feel about telling young people they should read more books?

Happy New Year!

Today entered with a beautiful sunrise and left with a gorgeous sunset. What more could we want for the first of the year?

I’ve come to think that the day I enter a new year should be almost like any other day, that making resolutions for the entire year ahead isn’t really sensible. Anything can happen in the course of 12 months, and sometimes our focus changes completely due to forces outside our control. So instead of thinking about resolutions, I spent a lot of time in the past few days reviewing not only this past year, but my entire adult life. The whole-life review has partly to do with a journal project, basically sorting through a mass of accumulated pages from years of personal journal keeping and coming up with a way to edit them down to their essence and organize them, to preserve the memories without all the bulk. In the process I’ve read back through pages that I wrote at 18, 19, and 20 years of age. Wow, what a kid I was — and still am, in some ways. But it made me think a lot about choices and where they lead us, and how we define happiness and success at different times in our lives, especially how our focus shifts, sometimes suddenly, and what we spend our thoughts on. It made me face some of my regrets that I hadn’t considered or thought about in years.

Those regrets include hurting people’s feelings in any way — and I’ve committed some doozies, usually by accident but in hurtful, unthinking ways just the same. I regret changing my college major from English, leaving college without a degree, spending too much time in college distracted by and pining over young men, imagining potential relationships where it should’ve been obvious to me they didn’t exist, joining a church at 19, which distracted me even more from school and may have been what finally drew me away from it altogether — there were boys there (gag me with another repetitive, pining journal page) — and taking religion too seriously for even those few years, mistaking it for a deeper form of spirituality that it was not. Let me say right here, young women put far too much emphasis, or at least we did back then, on finding mates. It’s absurd. Though I eventually did, and have been with him for going on 25 years now, he wasn’t one of those responsible for distracting me in school, so you see all that pining back then was a complete waste. Later in life, I regret not buying a house sooner (though I’m not sure how that would’ve been possible earlier), not taking more vacations when I could afford them, buying even half of the magazines I ever purchased, spending rather than saving most of the excess I finally earned for a few years (and still not spending it on vacations), not buying a new car before I retired, and not giving up on being a novelist sooner. I’m serious about that — seven novels with no sale is too much — enough already!

In spite of those regrets, I’m pretty happy with most of my choices, especially in my spouse, and even in some of the jobs I didn’t like at the time but which were worth the opportunities and the friends they brought me. In fact all my experiences, including many I regret, taught me something of value.

Regrets are a waste too, so I won’t dwell on them, or on dreams or plans for the future. Instead I want to focus on now, on how I’m doing and what I plan in just the next few days or weeks. If there’s anything else I need to focus on more of the time, at this point in my life, it’s the same things I think we should always focus on, all our lives. Most of the people I know spend too much worry on whether we’re good enough, or what we’d change about the past. And some of us spend too much time worrying what others should do, or what should happen that’s out of our control, to make us happy. So I’m reminding myself yet again:

Be happy with myself, as I am

Don’t worry whether others like or approve of me

Treat myself and others kindly and with respect

Don’t let anyone tell me how I should live my life, and don’t tell anyone how to live theirs, as long as they’re not harming anyone

Stand up for myself and for the rights of others

Love life, and live it with passion and an open mind to possible outcomes

Have no regrets — let them go

Follow my bliss and enjoy seeing others follow theirs

Own my life

Don’t worry at all, let tomorrow take care of itself

Learn from everything

All my best regards to you for 2008, and good luck in the coming year.